Wild greens and maccheroni alla chitarra…

When asked if I’d like to contribute a family recipe from Abruzzo to a charity cookbook, my first answer was, of course! That it will be helping save the dwindling population of Marsican brown bears in Abruzzo – wonderful! And that my recipe will be alongside those the likes of Niko Romito, a 3x Michelin star chef, Vincenzo’s Plate and food journalist, Rachel Roddy of the Guardian, I suddenly quaked. Ma dai! Really?! 👀

After some thought, the recipe I couldn’t go past is, Maccheroni alla chitarra with wild greens. I’ve known this dish from when I was a little girl, have cooked and eaten it in both Italy and Australia and it has ties to my Abruzzo ancestry going back more than 600 years. It’s also a lovely connection to Bisnonna Maddalena and Nonno Anni recalling her foraging for wild greens on hillsides around Fossa and carrying them in her apron back to the kitchen. (‘Maccheroni’ is the original Abruzzese name used for this dish, while in Italy’s north where maccheroni is a short pasta, it’s called ‘spaghetti alla chitarra’.)

Pictured for the cookbook is my chitarra – made of beechwood and strung with steel wires, which are ‘tuned’ like a guitar. A sheet of fresh pasta is laid across the wires and pressed through with a rolling pin. One side creates thin strands with a square profile, the other side, wider strands, like fettucine, as I’ve made here. In the little vases (old inkpots!) are some edible greens I picked – yes, I went foraging in the backyard, not quite the Abruzzo hillsides but I was amazed how much it yielded (and I double-checked they were safe to eat – dandelion leaves, cobbler’s pegs, purslane among them).

The napkin I chose is one Nanna Francesca brought me back from Italy many years ago and the fork is from a cutlery set bought in L’Aquila in 1970 by a Fossa relative, Pierina who gave it my parents who passed it down to me. Once you start delving into it, it’s incredible how much history can end up in sitting down to a bowl of pasta! 💚🍝 xxx

* An Abruzzo invention, the ‘chitarra’ dates back to at least the 1800s, its ancestor being a rolling pin with notches in it that cut the pasta into the wider strands. (Chitarra may be found in many shops, markets and online.) Will keep you posted when the cookbook is available. 😊

Salviamo l’Orso – save the Marsican brown bear

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Forte e gentile… fifteen years after the earthquake

It is fifteen years since the 6.3-magnitude earthquake that struck Abruzzo at 3.32am on 6 April 2009, taking the lives of 309 people and leaving 70,000 homeless in around fifty-six towns. My heart is with those who lost so much… the victims, their loved ones, all those who were displaced, the many still working hard to recover and rebuild in the long years following.

I’m often asked by those who’ve read of the earthquake in my books how Fossa is now and what happened to the centuries-old house lived in by generations of my family that I was so fortunate to have stayed in too. Well, the house remains damaged, as it was the day of the earthquake, since looted and at the mercy of the elements. I’m unsure of its future at this stage, that is in other hands. Where it sits in the worst hit, ‘zono rosso’, red zone of Fossa largely remains empty and often called a ‘ghost town’. However! I’m very pleased to say that in parts of Fossa, especially around the outskirts, there is reconstruction work being done and people are returning to the town. I always held hope this would happen and it’s truly wonderful to see it seems to be. Che possa continuare!!

So in the spirit of the town’s hopeful return, I thought I’d share this photo from when Nanna Francesca and Nonno Anni were there in 1975 and Fossa was bustling and lively with much going on. I can’t be certain of the festival but I’m guessing San Antonio – perhaps someone recognises it. The parade is coming down towards the bar and main piazza (I can see Nanna Francesca beaming!) and it’s wonderful it appears pretty much the entire village are involved, all ages. Fossa has long been a thriving, beautiful town and has so much history. I look forward with much hope to its dwellings and streets being full of life like this once again along with all those across Abruzzo. ❤️🌠

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…sulla spiaggia di Palmi, 1950

“Ricordo del 26 July 1950 sulla spiaggia di Palmi – Memory of 26 July 1950 on the beach of Palmi…”

Sent to my grandparents from relatives in Italy during the 1950s, these beautiful photographs with their fleeting, heartfelt messages written on the back say a lot about the sacrifice of migration. Yes, that courage to go to the other side of the world brought much-needed opportunity and prosperity, as well as new friends and family. And yet, there was so much that had to be left behind too, loved ones, ancestral homes no matter how modest, centuries and generations of history and belonging.

To think of the fragility of such photographs criss-crossing the world sent with love and a need to keep family ties strong, well, it both warms my heart and makes it break a little, if I’m honest. These photographs were taken in Palmi, Calabria and Fossa, Abruzzo, Nanna Francesca and Nonno Anni’s birth towns and I wonder how they must have felt when they received them from their loved ones, Vincenzo, Pierina and Luigi.

I know this tradition kept on at least until the 1970s since Nanna would get me, as a child, to pose for photos to send to Italy. Back then, I couldn’t understand why she’d be sending a photo of me to some far-off relatives I’d never met. Now, it is quite amazing and beautiful to think how, for many decades, families between two countries on far sides of the world kept close in this way. 🖤📸

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the sewing box…

Mending… so out comes the sewing box Nanna Francesca gave me for my 8th birthday. I can’t tell you how disappointed I was to receive this as a present at that age, though I put on a happy face so not to hurt her feelings. Afterwards, I told Mum she could have it and the sewing box sat in her linen press for years. Yet, once I moved into my own house, I went and retrieved it and it has stayed with me.

I’m not much of a sewer like my grandmothers and great-uncle were. I can only mend hems or sew on buttons by hand. In first year high school, when all us girls had to do ‘Home Economics’, I liked the cooking (we made scones and shepherd’s pie) but didn’t take to sewing. I think I lacked the patience and neatness needed. It was Mum, in exasperation – ‘You should at least be able to mend a hem and sew on a button!’ – who showed me.

The white thread I’m using was hers. All the other spools also Mum’s or my grandmothers’. The scissors, a bit blunt now, were Nanna Francesca’s, and Quality Street chocolates I’ll always associate with having at her house. I know I’m terribly sentimental but it’s nice to be reminded of these connections on the odd occasion I get out this old, sewing box.

Even this sundress I’m mending is old and faded but its cool cotton is perfect as a ‘house dress’ in summer. I recall women in Italy sitting on chairs outside their doorsteps, mending clothes or linens (to me, a comforting sight). Partly, such mending stems from necessity, especially in poorer areas, however in Italian folklore there’s also an awareness and valuing of the fleeting nature of certain earthly materials we use. Like linens or timbers that bear the effects of sun, wind, human treatment, rain, marks, stretches and shrinks in their histories of use and misuse. Things that may not be financially worth much, but worth being mended for as long as they may be used.

Once I would’ve been too self-conscious, but I think if I was in Italy, I’d now drag a chair outside the door while I sit and hem, catching the breeze and perhaps a chat if someone happened to stroll by… 💚🧵

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Lemons and angels…

On the kitchen table today… lemons from my neighbour’s tree. No, I didn’t steal them. 😄 My Italian neighbour often kindly shares some lemons from his backyard tree. His mother, now in her nineties, who also lives next door, is from Sicily and gave me a tip years ago that when frying polpette she’d place a lemon leaf under each one and they’d impart a lemon flavour into the meatballs.

These lemons have a such a zingy, fresh scent and an earthier flavour than shop ones. Like many backyard grown produce, sometimes the outsides mightn’t be ‘perfect’ but that doesn’t’ worry me, especially when the flavour is usually better. This bowl isn’t ‘perfect’ either (notice the cracks where it got broken). I glued it back together because I bought it more than twenty years ago at a market with my mum and while she’s no longer with me, this bowl brings back a lovely memory of wandering about the stalls together.

I used a couple of these lemons to make lemon pasta for the first time. It’s pretty much plenty of lemon zest and juice as well as parsley from my vegie patch and you can add cream or pasta water to amalgamate the sauce and add depth of flavour. I used capelli d’angelo pasta and indeed the dish was as light as an angel’s hair must be. Buona settimana!🍋💛  Zoë xx

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The 1974 flood… 50 years on

In 1974, Nonno Anni and Nanna Francesca received a knock at the front door by two policemen warning them a big flood was coming and the power was about to be cut off…

This weekend is the 50-year anniversary of the devastating floods that hit Brisbane and Ipswich in 1974 so I thought I’d share with you just a few of the old photographs when my grandparents’ house and flats in Brunswick Street, New Farm were inundated. (An arrow shows their house. The water eventually got to the floorboards.) Top left – Nonno Anni alerts blokes in the tinny to Nanna Francesca taking a photo from the house. Below it, shows a police patrol. And I can’t help but smile seeing Nanna has her hair perfectly hair-sprayed as she hoses mud off furniture during the clean up afterwards.

It was difficult after they were gone when their house was again flooded in 2011 and we lost many of their belongings before we could get them out. But that is how it goes sometimes, the water can just unexpectedly rise too fast. Knowing the damage and terrible loss wrought on so many, we got off lightly really.

From, Joe’s Fruit Shop and Milk Bar

Nonno Anni and Nanna Francesca both left dwellings of tile and biscuit-coloured stone – one in the mountains, the other by the sea – eventually to share their lives in a house of wood and iron not far from a river. I recall Nonno Anni telling me about the clean up after the 1974 flood. How a lot had to be thrown out or burnt, and weeks afterward they finally located an enduring stench as being a dead fish wedged in the back of a cupboard.

Being a toddler at the time, I have no memories of Brisbane’s ‘74 flood during which the water came higher, and my mother afterwards donated my baby clothes to flood victims. Yet, from childhood, I was fascinated to pore over photographs of the event – my father and Nonno Anni in the floodwater in the front yard, Nanna Francesca peering from the front doorway, refusing to come lower than the top step. In one photograph, Nonno Anni is in the water, waving to an overloaded tinny of longhaired, young people rowing along Brunswick Street. They cheerfully wave back to him.

Joe’s Fruit Shop and Milk Bar

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Parsley flowers and basil leaves… 🌿

Left to themselves, the basil and parsley I planted when summer began have been relishing the rain and heat and are on a rampage to take over the vegie patch in the backyard. No fertiliser or pesticides, just tucked under the protection of netting propped up by an old mop handle (a nod to Nonno Anni!) 😘

The basil leaves overwhelmed the basket when I picked them. They appear just bursting with greenness and their fresh, strident fragrance filled the kitchen, and then the whole house it seemed. So, of course, it could only be pesto per cena, made the old way by mortar and pestle (thanks to Roger’s arm muscles!)

I usually love pairing orecchiette with basil pesto but there was none in the pantry so it had to be a mix of leftover fettuccine and pappardelle this time. Meanwhile, the pretty parsley flowers are dropping their seeds and more parsley is growing so it may be time for a parsley dish next, I think! Love the greenness of summer. Buona fine settimana! 😊 💚 🌿

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Grazie di cuore 🌶️❤️

Angry spaghetti, music, secrets, courage and, of course, chillies…
I’m so grateful to all of you who’ve shown such love for, The Proxy Bride, thank you, grazie di cuore. ❤️
It was an honour to write about these resilient, spirited women.
Buona giornata a tutti! 😊🌶️🍝

The Proxy Bride

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Epiphany Eve… ✨

Tonight is Epiphany Eve and in Italy many children will be waiting to see what they receive from La Befana, ‘the witch’ – sweets if they’ve been good, coal if they’ve been naughty. As I wrote in, Mezza Italiana, I was chosen as La Befana for my school play, being ‘an Italian kid’, and as you can see from the first photo, I wasn’t too thrilled about it! 😄 Although, I’d warmed up to the idea by the second photo when I got to climb through a window. (As you can also see, being summer, I’m already a bit burnt from swimming at the local pool!)

“In primary school, the class put on an end of year play. ‘This year we’re doing ‘Christmas Around the World’ to show how different countries celebrate Christmas,’ the teacher announced, eyes shining. As the teacher gave out the parts I chewed my nails praying that what I suspected was about to happen didn’t. ‘And in Italy…’ the teacher declared almost bursting with smiles, ‘…they don’t have Santa Claus, they have a woman.’ Comments and guffaws erupted from the class about it being strange. ‘She’s called Befana who is a bit like a witch bringing lumps of coal to the naughty children and sweets to the good. The part of Befana has been given to… Zoë.’ I didn’t know too many swearwords at that age but I remember the couple I did know popping into my mind, bloody shit.” …from Mezza Italiana.

The thing is, looking back, I’m thrilled that I got picked to play, La Befana and am so glad I did. I wish I could say to the little girl in the first photo, don’t worry, it’s all going to be okay, you don’t need to hide your migrant heritage, one day you’ll even write about it (though of course, I would’ve been horrified at the thought back then!) I guess epiphanies come in all shapes and forms and at different times. Buona Epifania! Auguri della Befana! 🖤 Zoë xx

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Olive twigs… 🕊️

On the kitchen table today… olive twigs from the backyard. I planted this olive tree as a sapling with Nonno Anni, almost twenty years ago now, one March on San Giuseppe day (Italian Father’s day), and it’s stayed a lovely connection to him and, of course, Italy. That said, it’s never given one single olive in Brisbane’s subtropical humidity 😄 but it seems happy and its leaves are a beautiful pale green. (With many health benefits too – I’ve discovered a sprig of olive leaves can be added to soups, stews and even to the water used to boil pasta! Might give it a go and see.)

Thank you for joining me here throughout the year. I very much appreciate your kind messages and sharing your own recollections with me. I never take for granted your support of my books and am very grateful. I’m working hard on the next one!

I hope 2024 will bring to all much happiness, good health and especially, peace.
Buon Natale e auguri, baci e abbracci, Zoë xx 🌿

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A tale of two pineapples…

A part of my Italian-Australian life in two photos… the first one – Nanna Francesca (centre) taking her visiting cousins from Sydney to Qld’s Big Pineapple. To me, there’s something about seeing these three Italian migrant women standing in front of something so Australian, knowing how my nonna loved going there and knowing how it was a world away from their stone villages in Italy. Nanna Francesca brought me back an enormous Big Pineapple pencil with a pineapple on the end of it. I was about five (and still have it!) She also bought herself a Big Pineapple tea-towel and salt and pepper shakers.

These shakers – in the second photo – sat, never used, behind glass in her ‘good’ cabinet, for decades. Then, after my grandparents had both died and the family was packing up their house of more than fifty years, I found myself standing in front of this cabinet looking at those two pineapples. Yes, they were kitschy but I couldn’t let them end up lost, so now they sit on a bookshelf in my kitchen, a little reminder of Nanna Francesca that makes me smile.

Part of her heart was in Calabria, her birthplace, with her family still there. The other part, in Queensland, where she lived out her life, with her family there. Her love of two places, remembering the former, embracing the latter, a factor of migrant life that makes it richer yet a little heart-breaking too, and I’m so grateful (in all my ‘mezza Italiana’ tussles) that she showed me how she combined the two.

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Sunlight stars… ✨

Stars of sunlight… ☀️🌟 falling through a beautiful, old wisteria vine.

Buona giornata a tutti! 😊💜🌠

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‘Out in the world’…

Over time, many of you have sent me photos of my books ‘out in the world’, so to speak. It’s been such a surprise to receive each one – thank you! I’m truly touched to think of those who’ve whipped out a camera to take a photo of the books on bookshop shelves, in window displays or when you’ve got one home and then shared that joy with me. And to see one there with a chilli and crostoli and another with a lovely home-baked torta next to it is just lovely! If yours isn’t here, these are just a few (and I didn’t include ones with people in them for privacy). Thank you to all of you who’ve connected to my books. It’s always wonderful to discover how you may have related to different aspects of them and I really appreciate your messages, letters and kind words.

If you follow my posts here, you’ll know I usually only share little stories or happenings as I feel self-conscious about promotion and hope the books will find their way to those who might enjoy them. With Christmas coming though I should mention that if you decide one might be a lovely gift for someone, you can still find all three books in paperback, ebook or audiobook online or in bookshops. (If they’ve sold out, just ask at the counter for them to order in a copy and it should be there within a week.) Thank you – that’s any publicity over for the year! – now back to work at my desk.

Speaking of my desk… being sentimental (or not bothered to get a new one!) I write at the same second-hand desk I was given at about the time I started high school (nearly 40 years back!). Ironically, as a teenager, I ended up doing much of my school homework lying on my bed, but now I sit at this desk most days and I still pinch myself that what I write here ends up becoming bound books ‘out in the world’, especially when I see your photos and messages. Thank you again for all your lovely kindness and in the meantime, I’ll keep working on the next project. Auguri!💛 Zoë xx

Books…

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Where the Wild Things Thrive…

This artwork is called, Nature Thriving by Gianna Fallavollita and if you look closely, you’ll see it is a front door in Fossa, which has been a ghost town since the 2009 Abruzzo earthquake. I have to say, it evokes many different emotions to see the town where my ancestors lived over more than six centuries, now gradually being taken over by nature, forever entwined with Monte Circolo on which it sits.

Gianna, whose parents are from Abruzzo and who has a strong connection to her own Italian heritage, contacted me to tell me how much Mezza Italiana resonated with her and I was so touched and thrilled when she said this has also inspired her to create a series of artworks depicting my family’s town of Fossa in, ‘Where the Wild Things Thrive’, a group exhibition currently on display until Sunday 26th November, 2023 at Back2Back Gallery, 57 Bull Street, Cooks Hill, Newcastle.

‘I retold your story of that tragic day, April 6th in Fossa,’ Gianna wrote to me. ‘I depicted the devastation of the aftermath of Mother Nature and how weeds, plants, vines reclaimed this abandoned town. I hope that one day the town thrives again with people, children, babies and other living creatures.’

My deepest thanks to you, Gianna, and for your beautiful art. I hope so too. I’m still heartbroken about what happened to Fossa and many other beautiful towns in Abruzzo after the earthquake. Particularly that it will soon be 15 years, in April, that most residents have been unable to return to their homes in Fossa. Some of these houses, like my family’s one, which I wrote about in Mezza Italiana, have belonged to the same families for hundreds of years.

I’ve long had a love of art and it feels particularly special to discover my writing may in some small way have played a part in some of Gianna Fallavollita’s artworks. I hope that together these may convey how natural disasters continue to affect a place and its inhabitants long after the media reports have faded away.

(Hover mouse on each artwork for details.)

Town Disappeared Overnight…  watch here

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Cento anni – a hundred years…

Nonno Anni and Grandpa Bob would’ve both turned 100 this month. I’m forever grateful to have had these two men in my life. They were there for all my significant life events, birthdays, graduations, wedding day, and, more especially, there for so much of my ‘everyday’ life as I spent many weekends and every school holidays with each of them for decades. I know I’m so, so fortunate to have been given their unconditional love, gentle guidance, care and wisdoms. They could both be very tough men at times and I received nothing but respect and love from them. I still think of them a lot and at challenging and uncertain times I think back to their ways and what they might do or advise. I’ll be writing more about each of them as they both remain an inspiration to me ❤️ – for now, I think what I wrote on page 112 of Joe’s Fruit Shop and Milk Bar, pretty well sums them up…

“My grandfathers were both born in October 1923, three days apart, on opposite sides of the world. While Annibale grew up in the snowy mountains of Fossa, Bob mostly lived near the beach at Manly, Sydney. Annibale was dark-eyed and haired, olive skinned – Bob, a contrast of fairness, with blue eyes and sandy hair. They were tall, about the same height, physically fit and strong. They worked hard in numerous jobs as young men before each establishing their own businesses with the assistance of their wives, and achieving success.

Throughout their lives, Bob liked watching cricket and football; Annibale rarely watched sport of any kind. Bob favoured meat and potatoes, Annibale, meat and pasta. Neither cared much for salad, nor were they churchgoers. They valued family, living an honest life. Both were quick to step in to defend or help a stranger, especially the underdog. Their mother countries, to whom they were each patriotic, were on opposite sides during the war. They could so easily have chosen to shun each other, cite their differences rather than their similarities. But they didn’t, for the sake of two little girls, their shared granddaughters.

Perhaps most of us are more alike than we sometimes realise.”

 

From  Joe’s Fruit Shop and Milk Bar

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Spring circles…

Spring circles in the kitchen and garden – eggs in purgatory, ‘lucky’ lentils, broad bean risotto fritters, a dandelion flower, melanzane fritte, orange patty cakes, fava spaghetti with spring greens…

Circles are significant in Italian folklore – the symbolism of the sun that makes things grow, the wheel of life slowly turning, the seasons in a constant cycle circling around through the dark and cold and back to light and warmth once more.

I think of Granny Maddalena’s leathery, work-worn hands sorting through the lentils to remove any tiny stones. I feel the light smoothness of lentils in my own hands now as the wheel continues to turn. Auguri fortuna e felicità questa primavera – wishing you luck and happiness this spring. 💛 Zoë xx

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Four generations of hand-sewn linens…

I never expected to end up with a collection of linens that span four generations of women on both sides of my family. Especially since, as a teenager, I’d hope for the latest record for my birthday only to be disappointed when Nanna Francesca gave me tablecloths ‘for my Glory box’. Again. For years these sat unused along with the tea towels, doilies and other items I also had no interest in then.

Now I find myself with a chest of drawers filled with linens from Italy, England, Ireland and Australia that I treasure, many made by hand by my grandmothers and bisnonni. There’s a lovely sense of connection in gently holding the fabrics and lace they held… each created and once warmed by their hands. Carefully hand-laundered at the village fountain or the backyard washtub. Placed on tables, or wedding beds, or hidden away for ‘good’.

The designs reflect different cultures, or eras. Great-grandma Charlotte’s crocheted doily for the bread basket is more than a hundred years old. By the mid-20th century, Grandma Lorna, created her more modern take, using green and yellow for a doily. Bisnonna Francesca Carozza’s monogrammed bed linens (CF centre) are also from a century ago, in Calabria, when such items were among the few a woman had to her own name.

The style of embroidery, stitches and cutwork can identify the maker. So too the tiny ‘sewer’s mark’ (see the tablecloth edge pictured next to the initialled linen). Neat, little knots on the back of a piece (pictured) are a sign of hand sewing.

I’ve learnt that they used linen, cotton, flax or hemp, sometimes grown and spun themselves. Cotton warms beneath your hand. Linen stays cool. Hemp retains texture and an earthy scent even after the material is scrubbed with scoria stones in the river then dried in the sun, as were the sheets Granny Maddalena brought to Australia from Abruzzo. A trick to whiten linen is to place it under the moonlight. This is still done today.

In many cultures, linens are passed down from generation to generation and interestingly, with age, most of the natural fabrics become softer yet stronger. I mentioned in Mezza Italiana that those tablecloths Nanna Francesca gave me for birthdays during the 1980s, I’d finally started to use. They’re mostly modest, checked cottons and I can say that now, years later, I truly appreciate them and there’s always one on the kitchen table. Softened with age, perhaps a little faded, but still sturdy and enduring. 💜 Zoë xx

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Mysterious and fleeting… ✨

Like magic, these iris flowers bloom in different parts of my garden all on the same day, and the next day, they’re gone. Fleeting, magical, beautiful. 😊💜✨️ (Love their tiger markings too!)

An elderly neighbour gave me this plant when they were moving away one September almost a decade ago and each spring the plants flower at about the same time, like a lovely gift all over again every year.

Buona primavera a tutti! Zoë x

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A quiet Sunday in Brisbane, 1954…

A quiet Sunday, Brisbane, 1954, out front of the fruit shop and milk bar… when cousin Tony came to visit from Melbourne and everyone met there for photos since, at this time, Nonno Anni kept it open from 7am until 10pm, 363 days a year.

It makes me smile to see them all then – Bisnonno Vitale, Granny Maddalena, my dad as a young boy in his best clothes, great-uncle, Vince, Nanna Francesca still in her 20s, Nonno Anni in his work vest (lower centre) with his cousin, Tony, and Tony looking suave between two other fellows, Domenico and Achille, (top left).

It also makes my heart catch a little that they met there so Nonno Anni didn’t have to close the milk bar, even on a Sunday, since people came there after going to church or visiting at the hospital close by.

All the hours my grandparents worked and the decades of holidays they didn’t take so that their children and grandchildren could have different lives, hopefully easier lives. The way so many who are migrants or from poorer beginnings sacrifice and work tirelessly with love and a generous spirit. It’s very humbling to me, especially as, two generations on, I’m able to pursue my dream to write and for this, I’m very grateful – to all of you too. Thank you for your interest in these stories. Zoë 💛 xx

PS. When I was about nine – the age my dad is in a photo here – and cousin Tony was again visiting, we went to Surfers Paradise and I was allowed to get a lift in Tony’s Mercedes while the rest of the family followed in their regular cars. I just couldn’t believe it – my first time in such a car! 😄 And I still remember Tony’s kind grin at seeing my amazement.

PPS. Nonno Anni later replaced the Tristrams sign with the red and white ‘Milk Bar’ one that lit up. The same sign I wrote about in, Joe’s Fruit Shop and Milk Bar that got covered by the flood in 2011.

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Pallotte cacio e ova (dialect) polpette of cheese and eggs…

Recently, my cousin, Carlo (on Granny Maddalena’s side), who lives in Italy, revisited the area of our ancestors in Abruzzo and sent me these photos of pallotte cacio e ova that he’d cooked for the first time. His mother used to make this dish and our shared nonni in Abruzzo would make it too in times past.

I admit I’ve never cooked cheese polpette instead of the usual meatballs. In Australia, Nanna Francesca always cooked the meat ones. (As a little girl, I hated plunging my hands into a bowl of cold mince mixed with egg, breadcrumbs and parsley that together we’d mould into egg shapes – I’m so happy now though that she made me do this with her!)

Abruzzo’s pallotte cacio e ova no doubt came about to use up leftover bits of cheese and stale bread in the cucina povera tradition. Fried, then simmered in tomato sauce, the pallotte swell and absorb the sauce flavour to taste surprisingly like ‘real’ meatballs. I might have to try it, I think! Thank you to Carlo, for sending me these wonderful photos and allowing me to share them. It’s so great to see the carrying on of heritage in handed-down recipes.

I’ve much admiration for how all of our ancestors created inventive and delicious dishes from humble ingredients and didn’t waste anything. Yes, this mostly came from living in poverty but it’s taught me that no matter how much we have, never to throw away food, to try to find some way to use leftovers. Scraps could feed animals and if there was food past its day, the nonni buried it to ‘go back into the earth’ as fertiliser.

In turn, this dish also reflects the land and what was available. Bread from milled grain or corn grown in the fields, eggs from household chickens or bartered, pecorino cheese due to Abruzzo’s many sheep flocks. Carlo said he decided to use parmigiano as well as pecorino, as the latter can be quite salty. This is fitting, I think, since he also has ancestry from Emilia Romagna. It seems it’s always there with us, this history of our ancestors, especially in food and I’m so pleased it continues. ❤️ Zoë xx

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a chance discovery…

Thank you for all your kindnesses after my last post. I’ve now passed the halfway mark of my six-week recovery since I got home from hospital after the surgery and while some days have had challenges, I’m going pretty well so far.

The one other time I’ve had a six-recovery was when I was seven and broke my arm. It was the Christmas holidays and we’d not long arrived to stay at the beach for a couple of weeks. It’s funny but just the other day, I was looking through the bookcase for something to read and by chance saw this Enid Blyton book. (I seem to hold onto everything!) but no doubt in this case because Nanna Francesca had written in it.

After I’d broken my arm, she’d sent it to me with this sweet message in Italian wishing me good health and to see me soon, ‘bambina’, from nonna and nonno. Seeing now how I’d diligently marked off each story in the contents as I read them, I have to laugh. (I also notice the pages are now yellowed with age!)

From the holiday, we posted this photo of me back to Nanna Francesca and Nonno Anni along with a little letter to say thank you. Nanna had also sent me the hat I’m wearing in the photo – on it are the words, ‘Stanthorpe Apple and Grape Harvest Festival’. 😘

I don’t know what made me notice this book that I haven’t looked at for years and yet there’s something reassuring in seeing Nanna Francesca’s words again. A lovely little bit of serendipity. Auguri a tutti di buona salute. 💛 Zoë xx

PS I recall being upset I’d broken my right arm, not my left, and couldn’t hold a pen to write my stories. I also remember being devastated at not being able to go to the beach so Mum taped a plastic garbage bag around my plaster cast so I could swim in the sea. 😄

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la magia della zuppa… ✨

In recent weeks, I’ve had some unexpected serious health news with a bit of a cancer scare. It’s all happened quite swiftly and following numerous tests, I’ve had abdominal surgery, been in hospital and am now back at home in what I’m told will be a six-week recovery. I’m extremely relieved and grateful to say that it was caught in time, I am in the clear and recovering well so far.

It’s been a week now since I’ve been home and I got a strong feeling that some of Granny Maddalena’s, brodo di gallina or minestrone was needed – those magical, healing soups of many nonnas! I’m not yet able to cook as I’m still shuffling about and can’t lift anything very heavy so Roger was up to the task. He even went to the shop with the list of ingredients I gave him that included things like… ‘the best, freshest-looking greens in season that you find’ (which happened to be some lovely, tender cavolo nero – perfect).

What started as a brodo di gallina became a pot of minestrone with about a dozen ingredients. Roger was a very good kitchenhand 😘 and chopped them all up but then I couldn’t help myself and oversaw the cooking. It was the first time I’ve been back near the stove in quite a while and it felt so wonderful to have a quick stir of the pot again 😉 (and eating minestrone did feel very restorative too)!

While it’s been a bit of a frightening and tricky time of late, I’m feeling so thankful it wasn’t worse and that I had such a wonderful surgeon and oncologist. By chance, her mother is from a mountain village in Lazio that just happens to border with Abruzzo. Must’ve been a good omen! 💛 Zoë xx

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Fennel flowers, folklore and little stars…

On the kitchen table… fennel flowers, their little blossoms like star bursts with a slight scent of liquorice, honey and lemon. I came across some fresh fennel bulbs at the market about a month ago but life has taken over for a bit since then! These fennel were irresistible in their curviness. (Male fennel are slimmer, the female fennel more rounded and sweeter – said to be ‘like the many beautiful, curvy women of the Mediterranean shores these plants are indigenous to’!) 😘

I thinly sliced a fennel bulb, drizzled it with olive oil and baked it with prunes and a glug of Marsala wine. (The one with ‘the little cart on the label’, as we call it.) Boronia Marsala is described as ‘an Australian vino dolce that pays homage to its Italian origins’ so it seemed appropriate. If it was summer here, I would’ve left the fennel raw and tossed it with orange segments, olive oil, salt and pepper for a delicious, fresh salad. After eating either of these dishes, no need, I think, for any ‘Milk of Magnesia’ (for those who’ve spied the old blue bottle the fennel flowers are in!) That said, the sentimental side of me loves how the flowers are like a starry sky next to this luminous, blue glass.

Nanna Francesca would probably guffaw and shake her head at me putting fennel flowers on the table. Though, I wonder if Great-Granny Maddalena might’ve approved considering she’d collect greens including wild fennel from the hillsides in Abruzzo and carry them in her apron back to the kitchen. Funny how our ancestors often seem to be with us in many ways long after, for both the good days and also the harder ones that can be downright difficult. Granny Maddalena, a great believer in Italian folklore, would likely say, “Fennel gives strength and courage…” then swiftly follow that with, “and it keeps out evil spirits if you stick some in the keyhole!” 💙🌿 Zoe x

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First flames…

It’s taken me until aged fifty, to build and light a fire for the first time. Curiously, until now, it’s just so happened that the men in my life did this task. Whether it was Dad’s big, brick barbecue in the backyard (built by one of Nonno Anni’s Italian mates). The guys among friends building a bonfire on the beach. Or Roger taking care of the fire if we stayed somewhere cold that had a lovely fireplace. For whatever reasons, including living mostly in a subtropical climate, it just didn’t come about to light a fire myself.

So recently, when we were at a place with a fire pit one weekend, I said to Roger that I’d take care of the fire this time. (I think a look of doubt crossed his face but he agreed.) I told him not to give me any pointers or say one word. That the fire’s success or failure needed to be all mine. I thought of the ‘focara’ fire I’d written about in The Proxy Bride. Of the fire festivals in Abruzzo and Calabria of my ancestors.

Most of all I thought of my bisnonni, Great-Granny Maddalena who’d collected wood and lit fires in her kitchen fireplace of the Fossa house for decades to cook and warm water, to live. I thought of Bisnonna Francesca and her mum, Saveria who’d been the baker in their Palmi neighbourhood. All the fires she must have set and managed to bake the loaves of bread local women brought to her with their individual identifying marks in each dough, before everyone had an oven. It was about time I set a fire, even if I wasn’t sure how.

I decided to stack the bigger pieces of wood like a teepee. Beneath it, I threaded smaller twigs and branches and added scrunched wands of newspaper in the gaps. I lit a match. We sat down around it. It was just a small fire but my first and it was glorious, so different to have set it myself rather than someone else. Roger smiled and agreed it was a good fire. Still – ever competitive – we debated who could do so best. (I think mine burned slightly longer.) 😄

Seriously though, it was so great sharing that connection of fire with my Italian great-grandmothers even if my efforts would’ve been very humble compared to theirs! By chance, the part of Abruzzo my ancestors are from was inhabited by the Vestini tribe in ancient times, their name from Vesta, goddess of hearth, home and family, she being represented by fire. Vesta was also honoured by bakers, the animal linked with her, the donkey, as it was used to turn the millstones to grind grain for flour. I mention this because, while we sat around the fire, by chance, the peaceful braying of a donkey from a neighbouring farm drifted in the night. It couldn’t have made the fire any better! 💛 Zoe xx

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Three generations of mothers…

This old photo is pretty faded and scratched but the main reason I chose to share it with you on Mother’s Day is that it’s a rare one showing together in a row three generations of women in my family who were mothers to me – Mum, Nanna Francesca and Great-Granny Maddalena.

I’m showing my age here but some may know what this photo is about – taken on the day of my Holy Communion. (I’m not sure kids would dress like this now but we did then, 40+ years ago!!) 😊 This is at my parents’ Red Hill worker’s cottage in Brisbane and the rest of the relatives joined us afterwards for a big lunch at trestle tables underneath the house.

For me, looking at this photo it’s great to see the old picket fence, the pawpaw trees and that the Hills Hoist again made its way into one of our family photos, this time with pegs! And I love Nanna and Granny’s handbags and Dad’s 1970s style suit.

Most of all, I feel fortunate to have had behind me, in every sense of those words, these three strong, beautiful women, all feisty, all characters, and all who gave me so much in the time I had with them. (Grandma Lorna too, Mum’s mum, another strong woman in my life, who happily made this dress for me, though she wasn’t Catholic.) I’m so grateful for them all, Dad and Nonno Anni too. And while it has been such a very long time since I’ve been able to share a Mother’s day with any of them, each year I think of them all with much love. Grazie di cuore. ❤️ Zoe xx

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On the kitchen table…

On the kitchen table today… stripey carnations that take me back to Great-grandma Charlotte’s garden of her small house at Wynnum, where the breezes smelt like the sea (and the muddy flats if the tide was out). 😊

She was a wonderful scone baker and always had a pot of tea covered in a hand-knitted tea cosy on the kitchen table. Love how one flower can bring back memories from many decades ago.

Hope you have a lovely day! 💛

great-grandmothers…

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On the farm front…

Thinking of all those who’ve served or been affected by war. And on this ANZAC day I wish to give tribute to those women who did it very tough on farms during WW2 to feed Australians as well as Australian, British and US troops. They faced often hazardous working conditions and unfamiliar machinery, animosity, little ready money and also many of the agricultural chemicals of the time had later effects on the women’s health.

The thousands of women who volunteered for Australia’s Land Army weren’t given recognition or allowed to march in ANZAC day parades until 40 years after the war, in 1985. And there still remains little, if any, acknowledgement of the many migrant women left to keep farms going alone during the war – with no Land Army help – after their innocent husbands were interned in precautionary measures.

It was a privilege for me to listen to and write about some of these women’s experiences. The photographs are mainly of Australian Land Army women because cameras were confiscated from Italian migrants at the time or they couldn’t afford them. So I’ve included an old photograph of women on my bisnonna’s farm from not long after the war. It does make me smile to see the Australian women in their summer shorts knowing the Italian women mostly wore cotton dresses while working. Yet all of them with the same purpose during very trying times – contributing through hard work, not giving up and working together. Con grazie di cuore. Zoë xx

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Vale Vincenzo…

Vale to my great-uncle, Vincenzo, Nanna Francesca’s brother, who she called, Vinchy. Some may recall I wrote about him in my first two books, especially Joe’s Fruit Shop and Milk Bar. To me, he was a quiet, gentle man for whom life was often difficult but he worked hard and was generous in giving lovely gifts with the little he had.

His two great loves in life were photography and ballroom dancing. Vince was such a good dancer he was asked to be an instructor but declined, likely due to his shyness. (He told me he kept a tiny piece of the dance floor from Cloudland after it was tragically demolished.)

I can still see him working hard helping make the bottles of sauce on tomato day, making crostoli with Nanna Francesca in her kitchen, the two of them talking in Italian and sometimes squabbling. (She took over care of him after he’d lost both their parents by the young age of sixteen.) And Vince always helped out on top of his own factory work – whether in the milk bar or building the flats.

In recent years, he’s been living in aged care and it was a pleasure for Roger and me to hear his stories and look at old photos together when we’d visit. (He’s the one I dedicated, The Proxy Bride to.) I’d bring him Italian foods that he missed like his favourite black olives, crostoli and even pasta I made like his Mum used to. (There was never traditional pasta on the nursing home menu!!)

One thing I won’t forget about Vince is his fabulous hair – he was a bit like an ‘Italian Elvis’ in his younger days – and kept his hair into his eighties and it wasn’t even all grey! – perhaps due to Californian Poppy or Old Spice hair cream he used. 🙂 There’s a lovely recollection I have of him being at the beach with us that I put into a paragraph in Mezza Italiana

“I have treasured memories of swimming in the surf with my father, my grandfather and Nanna Francesca’s younger brother, my great uncle Vincenzo. I’d look across the waves to see the two balding, bobbing heads of my Dad and Nonno Anni and then Vince, whose thick black hair always looked slicked back whether it was from seawater or Californian Poppy. Nanna Francesca stood at the shore, refusing to go more than knee deep, shrieking at me to be careful. Embarrassed, I dived under waves, probably adding to her worry, while Nonno Anni yelled back to her, ‘Lasciala stare!’ This made me even more self-conscious as several freckled Australian faces would look over in surprise to hear a foreign language shouted across the waves.”

It’s funny but back in the early 1980s I’d feel self-conscious about three generations of my Italian family setting up at the beach for the day, yet now I’m really grateful for those times of us all together. So I’ll end here with that memory – with thanks to prozio Vincenzo for his love and kindnesses. 💙 xx

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Ghost sign hunting…

I didn’t know this was a thing and didn’t expect to discover I’d become a ‘ghost sign hunter’ by seeking out these old signs in towns I’ve recently visited around central Victoria. But yes, apparently this is a form of ghost hunting that goes on throughout Australia (and no doubt other places too).

They’re called ‘ghost signs’ in that they’re ghosts of the past, along with the shopkeepers and many of the businesses whose names remain in paint, either slowly fading or kept alive by sign writer restorers. I also love the painted art in many of them and the stories that they conjure up, especially to possibly write about.

Ghost signs often seem vulnerable, left to weather or at the mercy of abandoned buildings, yet they’re markers of our cultural history, both past and more recent, so I hope they’ll last a long while to come. I can’t help but notice them now (and it’s great too when you see that someone with the surname, ‘Parsley’, once ran a town’s fruit shop). 💛🌿

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Backyard group photo, 1960s style…

There’s so much I love about this photograph taken in the Brisbane backyard of Granny Maddalena and Nonno Vitale’s house… everyone under the Hills hoist, Granny bending over giggling, the woman’s arm around her. Nonno Anni looking over to see what they’re laughing at, Nanna Francesca always ready for the camera, holding the young boy who doesn’t look so keen to be in the photo.

I love too the pawpaw tree and monstera plant behind them, the Queenslander on stumps and corrugated-iron stove area jutting from the kitchen above, where I can picture Granny standing stirring her minestrone. Even that the photo is a bit blurry with too much foreground is endearing, as is Nonno Vitale bending a little to make sure he’s in the picture (though he did have a bad back after years of cane-cutting and labouring jobs!)

Most of all, I love how when friends or family came to visit, (on those rare occasions that everyone wasn’t working!) they’d all put on their good clothes, get out the good coffee cups and make sure a photo was taken to mark the occasion. As many of you will know, for migrant families who had to say goodbye – sometimes forever – to family and friends on the other side of the world, creating extended family among those around you was especially important, whether you were related or not, and there’s something so lovely in that. Zoë x

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lucchetti dell’amore…

Some years ago, I walked with Roger along the Via dell’Amore, the ‘path of love’ on Italy’s famous Cinque Terre coastline. I think we had a bit of an argument along the way, 😄 though we got over it pretty swiftly. (Anyone who’s spent months travelling amid its ups and downs may recognise how this can happen in even the loveliest spots!)

On this walk, I first came across the ‘locks of love’, lucchetti dell’amore – where lovers attach padlocks to railings then throw away the key to show their lasting love. My hurried photo back then makes the locks perhaps look more like barnacles, but it’s also lovely to think of all the hearts entwined in so many locks at that time they were attached.

Placing these ‘love locks’ are one of the more recent traditions for Valentino’s day with its Italian origins that go back thousands of years in many guises from pagan fertility rites, the Romans’ honouring Juno, a Christian saint’s day, to a day of love.

To me, this ‘day of love’ encompasses many different relationships and people in our lives, those long gone, beloved pets, a pastime, a food, a place, a tree – all elements that matter very much. So whatever your love may be – Buon Valentino! Zoe xx

PS I just found out the Via dell’Amore is currently closed due to a landslide and won’t be open again until sometime next year – it seems the ‘Path of Love’ can indeed be rocky but hopefully in time, it will be okay again! 💕

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Felce Azzurra and scented memories…

When writing, The Proxy Bride, I bought, for the first time, a bottle of Felce Azzurra (blue fern) talcum powder – last seen decades ago in the bathroom cabinet at Nonno Anni and Nanna Francesca’s (beside the Oil of Ulan and Pino Sivestre). The latter two brands have been around since the 1950s, while Felce Azzurra has been made in Alessandria, Italy since 1876!

It’s amazing how powerful scent can be in evoking a memory. That first intake of musky, fern freshness rocketed me straight back to being young, staying at my grandparents’ house. How Nanna Francesca emerged from the bathroom after her morning shower in a cloud of this scent, dressed ready to take me to ‘the pictures’. I couldn’t resist including it in Proxy.

While the book is fiction, I loved combining true goings-on with the story I created, adding in twists and turns. To me it’s crucial to make something as authentic as possible and the collage pictured is just a fraction of many elements that inspired me and that I wove in with material from interviews, libraries, museums and research trips (Palmi, Calabria and Stanthorpe, Qld being vital!) I wonder how many of these pictures you may recognise from the story?!

I was especially thrilled to find a photograph of proxy brides on a ship to Australia to be with husbands they’d mostly never met. Each face, each stance even, tells a different story in that moment. It’s such a poignant scene knowing their lives are about to change forever. It would’ve been so tough in many ways and I admire them greatly. I hope they found some happiness. Zoë xx

(PS. And yes, I had a Walkman just like that as a teenager and Nanna Francesca had a 1950s stereogram and loved playing her Italian record collection, including a bit of Dean Martin!)

The Proxy Bride…

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Summer flowering…

The elderly woman who lived here before me left behind a terracotta pot of crocus she’d planted. At the time, the plant just looked to me like thick grass, for I was very new to gardening then with much to learn (an ongoing process!)

Then in spring and summer, lovely pink crocus flowers appeared and it was such a delight, especially to someone with their first garden. For more than 25 years now, they’ve been happily flowering each year but were getting a bit snug in their terracotta pot.

With much trepidation, I moved them to a new home in the backyard garden bed a little while ago and it is such a relief to see them happily burst into flower once again. I still think of Joyce when I see them. 💗🌿

(PS. I’m hoping the little, yellow pollen footprints means that someone might’ve been visiting to collect it.) 🐝🦋

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Via alla spiaggia!

Off to the beach! This is one of my favourite photographs taken by Gina Lollobrigida that I thought I’d share in her memory following her death, aged 95, this week. To me, her photojournalism is as important as her acting career and I love how it captures lovely moments of the ‘ordinary’ in ‘everyday’ people’s lives.

This photo is from Lollobrigida’s book, Italia Mia, and the copy I have was originally printed in 1973, making it 50 years old. I’ll also be turning 50 this year (which I still can’t quite believe!) and it makes me realise how, at different stages of your life, time can pass both slowly and then very swiftly!

So many elements of this photo evoke something in my own past. Going to the beach as a child with Nonno Anni and Nanna Francesca (in their ute not a Vespa!) The same hat Nonno Anni sometimes wore. A similar basket bag Nanna Francesca carried. And then, there are the woman’s shoes – shoes that in my life I have seen so many Italian women wearing, in both Italy and Australia. I don’t know what it is but seeing small, broad, olive-skinned feet in these sensible yet stylish shoes is so lovely and comforting, evoking memories of Italian kitchens, women at the market, Nanna Francesca opening her purse to give me forty cents to buy an ice block. Incredible how one photograph can capture in that split second so much that can still stay with you half a century later. Vale Gina! xx

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With time…

A week ago, this was a scrawny,

three stalks of unopened buds

left at the supermarket that

no one seemed to want,

but today… 🤍💚

 

Hope you have a lovely Sunday. 😊 🌿

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Audio book – The Proxy Bride

Very pleased to share with you that the audio book of The Proxy Bride has been released! It is narrated by Italian-Australian film, tv and theatre performer, Lucia Mastrantone (her most recent role being in the stage play, Looking for Alibrandi). Many thanks to Lucia for her wonderful narration and to Wavesound and HarperCollins. (You may listen to a free sample at Audible.)

Happy to say that all three books are available in paperback, ebook and audiobook now. And, after being sold out for a time, the paperback versions of Mezza Italiana and Joe’s Fruit Shop and Milk Bar are each again in stock both online and in stores, or your local bookshop can order a copy in for you.

Thank you for your ongoing care and interest in my books. I feel so fortunate to be able to share these stories with you and I also appreciate very much your loyalty to them as I take various paths. Whether I venture into fiction or non-fiction at different times, I will always endeavour to do my very best in researching, interviewing and writing to create these books, putting my heart and truth into each one as well. I couldn’t wish for more wonderful readers to share them with and am very grateful – thank you! Baci e abbracci, Zoë x

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Speranza e auguri… hope and wishes

Life often looks wonderful on social media and I wonder that at times it doesn’t always show both sides. If I’m honest, December 2022 has been one of hardest months of my life with several unexpected losses and much challenge.

Then to top it off, after almost three years of careful avoidance, I received Covid for Christmas and the New Year (I was fully vaccinated) and have been very sick with every symptom. I’m stunned at just how terrible Covid can be and wouldn’t wish it on (or risk giving it to) anyone.

I’m still trying to get through it and have lost being able to taste and smell, (devastating to someone who loves cooking!) but I’m hoping these will return in time – fingers crossed. And I also still hold hope for this fresh, new year.

If anything, going through this past month makes me appreciate so much more and I’m grateful to have had those I’ve lost, for the pain means there was much love, and so it takes time to adjust and adapt.

In the meantime, I’m always amazed at how simply stepping out into the garden can help lift your spirits. Seeing what’s flowering right now, hearing the muffled beat of a bird flying across, feeling the warm, gentle summer breeze and thinking of the year ahead.

Knowing that yes, there will be more trials and griefs to come – that’s life – but there will also be many beautiful happenings too, even tiny ones. Buon anno, baci e auguri, Zoe xx

PS. Some pictures from my garden… (this morning’s lovely discovery – a self-sown pumpkin). I live on an ordinary-sized suburban block and am often happily surprised by just how much life is going on within it!

PPS. When I get back to being able to taste and smell, I have a feeling I’ll be cooking up a storm. 👀🙂

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Stars, circles and crosses…

Thank you for joining me here throughout the year – for your wonderful interest in and support of my books and for sharing your own experiences and memories with me.

For me, the best part of writing is the connection when those words are read or heard and that magic happens of a story shifting from one mind to another. I love this also when you share your own stories with me. Grazie e auguri. xx

I understand all too well that this time of year can be one of joy, challenge or mixtures of both and my heart goes out to you all. Whatever your beliefs or experiences may be, I hope this time rests gently on you and that the coming year is a kind one.

Warmest wishes, baci e abbracci, Zoë 💙  x

* Pictured are painted tiles from the San Donato ceiling, 1615, in the village of Castelli, Abruzzo that lies on Gran Sasso, the highest mountain of the Apennines. The 17th century stars, circles, suns and crosses actually go back much further to ancient times in Italian folklore and are part of a little of the magic of the area that I’m hoping to write about in the coming year.

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From the page to the village…

It’s such a lovely surprise to find out that after reading my books, some of you have sought out Fossa to see it for yourselves! And what a thrill to be sent these photos by Mel of her parents, Doris and Domenico, who were recently among a group guided by local, Edmondo, and given a tour of Fossa and the places I wrote about. Thank you to all of you! xx I never dreamed of seeing my books in Fossa or held up outside the door of my family’s house there. Can you imagine what Nonno Anni would’ve thought?! I can almost see him shaking his head and half-smiling in disbelief and happiness, his eyes a little bit wet.

It was in 1996 that I stood outside this same doorway for the first time, feeling so many emotions amid a chip on my shoulder and yet that tugging sense of ‘coming home’ to a place I’d never been before. And it was at the kitchen table inside that I began writing what would become Mezza Italiana and my later books over several visits. I had no clue then that what I wrote might be published one day, or that in 2009 an earthquake would hit, rendering the house and most of the town so damaged as to be uninhabitable. (As you can see, red scaffolding remains for now outside my family’s house.)

Fossa currently is a ghost town that requires much care and it is quite a moving experience to visit, while still beautiful and also fascinating in its mystical and lively past. I keep holding hope that its centuries of history, art, life and beauty on Monte Circolo will prevail and in future the town will once more surge with people, animals, vespas, church bells, music and wonderful cooking aromas. Heartfelt thanks to Doris and Domenico and all those who’ve sought out Fossa with respect and interest and again, thank you to all of you who’ve embraced these books so.

Oh, and Mel also wrote to me that her parents would’ve held Joe’s Fruit Shop and Milk Bar in the photos as well but her aunt had it and was busy reading it. That Joe’s is being read all these years on is just so terrific to hear. For Nonno Anni who, in 1939, aged 15 walked down that cobblestoned road carrying one suitcase on his way to the other side of the world, having to leave Fossa that he loved so much, not knowing if he’d ever return, I’m truly grateful that this story lives on more than 80 years later. For him and for all those who’ve taken that same, sometimes rough, brave journey of migrating and made the best they could of it. Grazie mille and auguri. Zoë xx

Books…

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Handed-down stories…

Paperback copies of, Joe’s Fruit Shop and Milk Bar have currently sold out but there is another reprint underway so they should be available again by early December. Thank you to all of you who’ve embraced, Joe’s over many years and to those who’ve recently sent me messages wanting to read it but unable to get a copy. If you’re after a copy, please order one through your local bookshop or online as they’ll definitely be coming in 3-4 weeks (and in time for Christmas too!) 😉 If you’ve been following my website here for years or even just a short time, you’ll know I never ‘sell’ my books and I hate even sounding so. I just wanted to let you know if you’re interested in Joe’s that it’s definitely coming back. For me the main thing is sharing the story of Nonno Anni’s life and those around him, because so many elements are all of our stories really and precious and my one hope is to preserve them.

It was actually Nonno Anni who originally gave me the idea for, The Proxy Bride. When I was talking to him about his life for Joe’s, he mentioned by chance that during WW2 when he and other Italian men were taken from farms around Stanthorpe and sent to internment camps, the women and children suddenly left alone did it very tough. He later heard they were given no assistance and with curfews and restrictions weren’t allowed to drive, many didn’t know how to use the farm equipment or ride a horse and faced poverty and starvation. He mentioned this group of women who banded together to keep their farms going. That really struck me and I felt I’d come back and write about it. When I learnt that some of these women were also proxy brides, it opened up more to the story.

It seems all my life Nonno Anni was telling me different stories, usually at a table after a meal together. Perhaps when I was young, he saw in me that I might write them down one day, even before I saw that in myself. I chose this photo as it’s such a lovely one of him, though I feel unsure at sharing this one of myself in pigtails but trying to look sophisticated, haha! 😄 It was the ‘80s and I was about 13 and my favourite things were roller-skating, dancing and writing stories (yes, even then!) Nanna Francesca took this photo of us after a stop at Lake Jindabyne during a summer road trip. I spent some time with my grandparents every school holiday and while at times I took it for granted or wished I was doing stuff with my friends (yes, just like Sofie in Proxy Bride), I really appreciate those times now and the precious stories they both gave me. Zoë ❤️ xx

Zoë Boccabella books…

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The Proxy Bride sneaks onto bestseller list…

The Proxy Bride has snuck into no.9 on the bestseller list for Top 10 Historical Fiction! A huge, heartfelt thank you to all of you for supporting my first novel. I’m very grateful. The list came out in The Weekend Australian and it’s such a privilege to be among these established and talented authors. It’s still sinking in to be honest! (I’ve been worried it might’ve been too much of a risk switching from non-fiction to fiction for this book.)

Also, since I mentioned in my last post that Nanna Francesca would’ve been especially happy to see, The Proxy Bride in the Australian Women’s Weekly, I thought I should mention the same might’ve been for Nonno Anni regarding a recent article about my books appearing in the Italian Australian newspapers, Il Globo and La Fiamma (full article in Italian online). I have lovely memories of him at the kitchen table often reading one of these newspapers with a morning coffee (International Roast boiled on the stove in the enamel pot, of course!)

I have to say too that seeing, The Proxy Bride on the same page as a Patricia Cornwall book reminded me of a time, almost thirty years ago, when I dreamt of having a book published. I was working during the day as a clerk doing mainly filing and data entry while also waitressing several nights in a Chinese restaurant and on other nights trying to write (when I wasn’t exhausted!) One lunch hour, I popped out to buy a book to read on the train home and someone had recommended Patricia Cornwall. When I think of the different jobs I’ve had over the years and all the types of writing I’ve done to this point, I definitely don’t take any part of this for granted. Thank you again for embracing these stories. I appreciate it very much! Zoë xx

The Proxy Bride

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Extract in the Australian Women’s Weekly…

The Australian Women’s Weekly has chosen, The Proxy Bride to feature in their latest issue – out today! I just picked up a copy and still can’t quite believe it. I thought it only fitting to share with you it sitting on Nanna Francesca and Nonno Anni’s pink-marble Laminex 1950s kitchen table. (The table from their very first house in Wyandra Street – yes, I’m so fortunate to be its current custodian!)

In almost 30 years of writing for all different organisations and publications from academic journals to tv ads, I didn’t expect to have something I’d written featured in such a long-loved institution as the Women’s Weekly. I have to smile as I think this is the one that definitely would’ve resonated for Nanna Francesca compared to all the others. And considering all those years ago her birthplace of Palmi in Calabria was unheard of in Australia – who’d have thought it would ever appear in the Women’s Weekly let alone my writing along with it! Deepest thanks to the AWW for choosing an extract of The Proxy Bride for their December issue. (Nanna Francesca especially would’ve been so happy too!) Zoë xx

The Proxy Bride

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Melanzane fritte and a cornicello…

Melanzane fritte – made with eggplants from the backyard vegie patch, just like the crumbed, fried eggplant slices that Nonna Gia and Sofie cook together in, The Proxy Bride. I’ve put these ones on one of Nanna Francesca’s plates and next to them is a little pot I bought in Italy to stand in as a ‘chilli pot’ (though I confess mine has salt in it at present!)

I hadn’t planned to include recipes at the end of this book but when I was writing about the food in it, I found myself cooking many of the dishes to remind myself of them. Since the way I learned to cook from my grandmother was mostly by watching and tasting, measurements were always a ‘handful of this’, a ‘dash of that’ and if I asked, ‘But how much?’, the answer would be a shrug and something like, ‘Just enough, of course, see?’ It was certainly interesting to try to pin down exact recipe measurements and in the end I thought it might be lovely to share these too.

You might also recognise the cornicello, that amulet of luck that can only be given as a gift, never bought for oneself. A symbol of the earth, fertility, healing and protection that’s endured from as far back as 3400BC in a long-held connection with and reverence for nature as well as humans’ reliance on it for food and survival. Looking at this picture I have to smile – eggplants, a cornicello and handed-down recipes, that’s certainly a little bit of southern Italy going on in northern Australia. 💛 Zoë xx

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Four generations, 100 years and one significant change…

Four generations of women in my family, 100 years and one significant change…

In southern Italy’s turn-of-the-century poverty, and as an eldest girl needed to help at home, my Bisnonna Cesca was denied school and being able to read and write. While Great-Granny Maddalena was so proud to get two or so years of school in this era when educating poorer people was discouraged, especially girls. (Granny said if she’d had a daughter, she’d have named her, Flavia, after her schoolteacher, which perhaps says a lot.)

By the 1930s, both my grandmother’s, Francesca and Lorna, got to high school in Australia but again were persuaded to leave early to work – a few years after, Nanna Francesca was also married at 17, a mother by 19. And while Mum graduated from Teachers’ College in the 1960s, she could only work until she got married and then was required to resign (unlike my father, also a high school teacher). She also didn’t get to finish her university studies as he did.

Perhaps that’s why, when I completed high school and considered taking a break from study, it was Mum who really urged me to take up the place I’d been offered at university. Being young, (I was sixteen, having been put up a grade – not something I’d recommend in hindsight!), at the time I didn’t fully appreciate the opportunity I had. Or then how significant it was to be the first female from either side of my family to graduate from university, to be in an era that I could do so.

In retrospect, it can’t be only by chance that in a century and four generations, women in my family have gone from being unable to read and write to writing books. And so, on today’s 10th anniversary of the UN’s International Day of the Girl, I’d say that it’s so important to keep supporting and encouraging girls to learn – a basic human right. It can truly change lives. Today, 130+ million girls are missing out on going to school. Whether in places like South Sudan, Afghanistan or in migrant and indigenous communities in ‘richer, peaceful’ countries. Financial hardship, early marriage, trauma, cultural barriers and favouring of boys being educated still among the main reasons. Looking back at the generations of women before me, knowing the drive, aptitude and potential they each showed, like so many women of their eras, I consider how much more they might’ve been able to do had they had the chance, and what they may have decided to do in their lives if they’d had the choice. Zoë x

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Return to the secret internment camp for the first time – and two new discoveries…

It’s been almost a decade since I headed to Millmerran and Western Creek with Roger to try and find the internment camp where ‘Joe’, Nonno Anni and many other Italian men were held in 1942. Back then, hardly anyone knew of the camp, either authorities or locals, and to find its location I was relying on my grandfather’s memories from decades before and scant information I’d been able to garner. For those who’ve read, Joe’s Fruit Shop and Milk Bar, you may recall I stopped at a spot out at Western Creek largely on a ‘feeling’. It seems absurd, I know, and hardly scientific. However, since then, more research and investigating has been done by others to locate the camp site and I can hardly believe it but the spot I had a feeling about ended up being the exact right location. So wonderful to discover this (and a bit spooky too perhaps!)

Clockwise from top left: Location of the internment camp Western Creek, the memorial stone, internees in 1942 (Nonno Anni standing on right), with Cec at the crossroads near the camp, Nonno Anni there in 1964 and the possible spot now, Western Creek, at the memorial stone, red dot marks the spot. And centre: Roger at the galley cook area find, and how it would’ve looked based on a similar one from the era still standing.

The second discovery we made was while walking around and deeper into the site, this time in search for where Nonno Anni had his photo taken when he returned there in 1964. I’m not convinced we found exactly where he stood, even though there was a stump where the other tree behind him had been, but nearby, we made a new discovery, the concrete slab where the crude, galley cooking area of corrugated iron had been. Again, by chance.

To return to this location, now confirmed, on the 80th anniversary that the internment camp was there, felt very special. I’d been invited to speak at an event for this back in May but it was cancelled due to rain and I felt sad in not being able to honour the internees that day. I’d vowed to still return to the site anyway when I could, just quietly, and I picked some nearby wildflowers (and weeds – but pretty!) and left them at the memorial stone that now marks the site.

It was lovely to share this moment with both Roger and also Cecil Gibson, born and of Millmerran and Western Creek for all of his 86 years. While others later became involved, for which I’m very thankful, Cec deserves special mention because he was the first local to pick up on this hidden history after reading about it in, Joe’s Fruit Shop and Milk Bar, and to contact me. He remained focussed on honouring the history both at the site and the Millmerran Museum, even when much seemed against him at times.

The first internment camps in Australia were established under the Menzies government in 1940 and most of these were full by the time the war really ramped up in 1942 and the ‘overflow’ of ‘enemy aliens’ were interned in unofficial and secret camps in isolated state forest and bushland. While other countries like Canada apologised to its Italian-Canadian WW2 internees in 2021 and the U.S.A. has introduced a Bill towards doing so, Australia remains silent on this. And sadly, most Italian-Australian internees are no longer able to receive an apology. That doesn’t mean it’s not important also for their descendants though and all those others who care deeply for their local history.

To write about this internment camp and what happened to Italian-Australians in the 20th century is the most important part of what I’m fortunate to do. And I don’t think the people of Millmerran were given enough credit with the camp being kept secret from them for so long. All of those I’ve spoken to from the area have had nothing but respect, acceptance and the will to help preserve this history and for that I’ll always be grateful. Zoë x

Thank you if you read until the very end! 😊 I just couldn’t skimp on this one. 💛 xx

Joe’s Fruit Shop and Milk Bar

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The Proxy Bride book launch…

Thank you all of you who came along to join me last night in toasting the women who were proxy brides! And also those who wanted to be there and sent me the loveliest messages. I’ve been told more than a hundred turned up to celebrate and am still feeling amazed and overwhelmed to be honest! I wish I could’ve chatted to each of you for longer – it was such a busy night! And I’m stunned to learn the books all sold out, I’m sorry if you missed out on a copy on the night. More people were there than the bookshop expected!

Thanks to those who sent me some photos. I’m told it was difficult to capture everyone who came along but some of you may find yourselves pictured here. I can’t bear seeing myself in photos so I empathise if anyone else feels the same! I also included the beautiful flowers from my husband, Roger and also my publisher, Rachael Donovan as the bunches were both so stunning and unexpected.

I hope the food was delicious (I didn’t get a moment to grab a morsel but I’m happy to hear it disappeared so it must’ve been good!) and the bar was almost drunk dry so I’m hoping too that means everyone had a wonderful time. I heard one fellow singing Volare along with Livio playing the piano accordion at one stage and like the lyrics to that song, the night seemed to really fly! Thanks again for all your warmth and support for the books. Zoe 💕 xx

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Unexpected flowerings…

With much going on with the book coming out, I haven’t been able to get into the garden for a while and suddenly noticed out the window that the hippeastrum (centre) has flowered (exciting to me as it’s looked half-dead for a long while and I didn’t expect a recovery, especially with my past bad experiences trying to grow flowers!)

Looking around the garden, I see spring has indeed begun in my absence with lovely amber nasturtiums and little, late pea flowers in the vegie patch, the white flowers on Nonno Anni’s coffee tree and more white flowers (top) covering Grandpa Bob’s hawthorn (and attracting lots of lovely bees). There’s a striking red canna too, one of ‘Nanna’s cannas’ grown from Nanna Francesca’s that grew for years in her front garden and precious to me (since those who’d later live in the house would mow over them until they eventually disappeared completely).

And I also spotted a pinky-purple flower that I think might be a weed but it’s growing so valiantly in a cement crack next to a stone wall that there’s just no way I can pull it out. Lovely how so much life can be happening in an ordinary, suburban yard – birds, dragonflies, plants from loved ones, weeds, unexpected survivals and flowerings. Zoë 🌷🌿 xx

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The Proxy Bride book out today…

Today’s the day! The Proxy Bride has arrived and is in book shops! Kind of incredible to be holding it in my hands. For many decades the term, ‘proxy bride’ has been whispered, rarely spoken of, let alone written about – a long-hidden part of our history. It’s unlikely we’ll see Italian-Australian proxy marriages again and I wanted to write about them because these women especially were remarkably brave and their stories deserve more than a whisper.

It was actually Nonno Anni who set me to writing this book. When I was talking to him about his life for, Joe’s Fruit Shop and Milk Bar, by chance he mentioned that during WW2 in Australia when he and other Italians got sent to internment camps, the wives and children suddenly left alone on the farms did it very tough and almost starved. But a group of them banded together, he told me, and kept their farms going. That struck and I knew I’d return one day to write about it.

When I learned some of these women were proxy brides, it opened up even more to the story. Of course, this is just one part of, The Proxy Bride. There’s much more including some laughs, cooking, music inspired by Nanna Francesca’s 1950s stereogram, secrets and quite a few Italian brands and traditions you may recognise! I hope you enjoy reading it.❤️🍝🎶 Zoë x

Available today in paperback and ebook in book shops, department stores and online. (Will let you know when there is audio book news.) Thanks to all those at HQ Fiction and HarperCollins who helped bring this about and to you for your lovely ongoing support for all my books. So very much appreciated! Zoë xx

Click for booksellers…

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con amore e grazie…

‘Helping Dad’. 😄 (Got to love that 1970s wallpaper. And the Band-Aid on the knee!) Buona festa del papà. 💕 Warmest wishes on this Father’s Day to our fathers and grandfathers present and past, our father figures, those of us who’d hoped to be fathers and all who are caring for and protecting children. Grazie eterni, Dad. 💙 Zoe xx

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On the kitchen table today… rose e limoni

On the kitchen table today… roses and lemons from a friend’s garden. (With glorious fresh, crisp and sweet musky scents!) The vase came from Nanna Francesca’s ‘good cabinet’ and was a bonbonniere from a 1970s or 80s Italian wedding. (Some will remember those!) It’s fairly solid – perfect for carrying home after at least nine hours of wedding celebrating! Have a lovely day. 😊 Zoe xx

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Book Week reception at Government House

Last night I found myself at Government House attending a cocktail reception along with other authors and dignitaries invited by the Governor of Queensland, Dr Jeanette Young AC PSM in celebration of Book Week 2022. Her Excellency gave a warm speech about books and the importance of literacy – something close to my heart knowing recent generations of women and men in my own family were denied schooling due to being poor and other circumstances, especially the girls. Every day when I sit at my desk to write, I’m conscious of how fortunate I am to do what I love and to have had the opportunity of school and university, that at times when I was young, I took for granted regrettably, as I’m so grateful for it now.

It was a lovely event and I can happily say that Her Excellency approached me for a personal chat, especially about, Joe’s Fruit Shop and Milk Bar, and I thanked her for her difficult work during the pandemic, for which she was very modest. As well, it was really great to meet and chat to other authors from all different genres and backgrounds.

Unfortunately there were no photos allowed inside Government House but Roger took this one of me out front before we all went in. I was trying to recall the spot where Nonno Anni stood outside Government House in 1977 when he received a British Empire Medal for help and support to the migrant community. I didn’t quite get the exact spot but I have to laugh at the two photos, as obviously we were both battling bright sun and it was breezy – not the greatest shot for either of us (Nanna Francesca even got the camera strap in his! – smiling). The funny thing is, by chance it just happens to be 45 years since Nonno Anni received that honour at Government House, so it’s a nice serendipity to be there on the anniversary of it.

World Literacy Foundation     Indigenous Literacy Foundation

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Article by Il Capoluogo news in Italy…

A lovely surprise to hear of this article in Il Capoluogo that talks about my books. You may read it in Italian via this link or the English-translated version below. Some of the translation from Italian may come across a little differently in English. Interesting to find out how some of my posts are interpreted from afar, especially in Italy. (And in line with the article’s title, I can say that despite earthquakes, pandemics and all else that has kept me from the family house in Fossa, I still love the beauty and history of Fossa, the Aterno Valley and Abruzzo and now that I’ve finished, The Proxy Bride, I’m delving back into this remarkable area of Italy and some unanticipated family trails for my next book.) Many thanks to giornalista, Sergio Venditti for the article.

PERSONAGGI

Zoë Boccabella, the Australian writer in love with Fossa and its Abruzzo.

by Sergio Venditti

In 2022, not only Italy, but also Abruzzo begins to emerge from the “shadow cone” of marginalisation and irrelevance in a society with a strong Anglo-Saxon imprint, such as Australia. In fact, in this magical year a real political-institutional miracle took place with the election as Prime Minister of that great country the Hon. Anthony Albanese, son of an Apulian from Barletta (known only in 2011) and raised by a single mother. An outcome that was not taken for granted, with the victory of Labor, after a decade under conservative leadership, but who wanted to experience change in the post-pandemic. The Albanian government has thirteen ministers, even with a representation of Islamic faith. At his oath, the Prime Minister declared, “I am proud of my government, which reflects Australia in its inclusiveness and diversity”.

Of course, half a century has passed since that film by L. Zampa (“A Girl in Australia” starring C. Cardinale and A. Sordi), which made an era: “Handsome, Honest, Australian Emigrant would marry a respectable countrywoman”. The critic G. Grazzini wrote about the film: “It is not only fun, it evokes the nostalgia for the distant homeland…. where everything is possible “. In fact, in recent decades the Italian community has conquered, with tenacity, a central space in Australian society, as already highlighted in all fields.

This is also the case for an emigrant like Annibale, who arrived in the country from his small village of Fossa in the province of L’Aquila. Childhood memories of him are now inspirational for his granddaughter, Zoë Boccabella, an emerging author. The latter reports her family background in the book: “Mezza Italiana“, featured in a 2019 interview (to Abruzzo Economia): “I grew up as a descendant of Italian immigrants in the 70s and 80s, when having Mediterranean origins it was not as well regarded as it is now”.

In this autobiographical book, Zoë describes her discovery of Abruzzo and her home in Fossa (damaged in the same 2009 earthquake). In these memories, Boccabella touches the central heart of the return to the origins: “The first time I travelled to Abruzzo, where my paternal grandfather comes from, I had the feeling of returning home”.

Thus visiting Calabria itself, from which her grandmother came. And again memory becomes writing: “Walking through villages, hills, woods and abandoned castles, I felt that Abruzzo was a unique land” and … “I was reflecting more and more on my life experience … and on how I felt divided in half, as if I did not entirely belong to either culture”.

A journey to rediscover her origins as Zoë (with her husband Roger), after a childhood in which she was sometimes harassed at school, in Brisbane (in the north-eastern state of Queensland), insulted as a “Wog“, for non-Anglo-Saxon immigrants. “I started writing what would become ‘Mezza Italiana’, while I was sitting at the kitchen table of our family house in Fossa”. Still in the kitchen, this time in Australia, Zoë describes: “pumpkins, which we bought from a farmer, along the road, near Esk”. And after also their symbolic role in the land of the ancestors: “For centuries in Abruzzo pumpkins have remained a significant part of folklore and the agricultural calendar, with late autumn, which was a moment of reconciliation and gratitude at the end of the harvest” … “With the end of the seasons the arrival of the moment of gratitude for those who preceded us, who have now disappeared”.

“The cocce de morte” (heads of the dead), are carved in the pumpkins and inside with a lit candle to illuminate, welcoming the loved ones of the past, to join those present and their homes “. In this, Zoë Boccabella represents a cultured writer (with a degree in Literature and Sociology, with a master’s degree in Philosophy), determined and coherent in her narrative plots.

Now she announces her third book, forthcoming, entitled The Proxy Bride, which takes up the old custom of proxy weddings in a foreign land. An extraordinarily lively novel, “About family, secrets and adversity, imagining marrying someone you’ve never met. How she arrived in Australia on a bridal ship, among many brides by proxy, knowing little of the husbands they had married from afar, most of them coming to find someone, very different from what was described “.

The author recalls the same added value of feminist culture, in “Three Shades of Mimosas“, as a symbol to celebrate the first International Women’s Day, in 1946. A shared appeal also to denounce the Russian invasion, the loss of many paintings by the Ukrainian artist M. Prymachenko (1909-1997), with her symbolic work, A Dove Has Spread Her Wings and Asks for Peace, 1982. Yet a great Russian literature like F. Dostoevsky wrote: “Man loves to build and trace roads, he is peaceful. But where does it come from that you also passionately love destruction and chaos”.

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Friday night feast…

When feeding a few on a Friday night means pizza, pane cipolle and a pan of spaghetti! (And some salad. 👀😄) All pretty rustic, especially with a temperamental oven on its last legs, but the entire house has some delicious cooking scents and everyone seems to be smiling. (Credit and un grande grazie to Roger for his part in cooking too!) Buon fine settimana a tutti! Zoë xx  😊💛🍕🍝

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Inklings of the past…

Bisnonna Francesca… a companion post to the previous on Bisnonno Domenico. Likewise, I didn’t get to meet her yet each photo has a little to reveal and brings the past somewhat closer in that moment. A rare photo, circa 1930 (bottom right) shows Francesca in Palmi, Calabria with her mother, Soccorsa, the baker and her daughter (Nanna Francesca). The three who lived together for years after Domenico was in Australia. And then (top left), just Francesca and her daughter, soon to leave to join him in 1934. She and her mother had worked hard to help raise the ship fares, determined as she was to be reunited.

I long for a photo of Francesca in her Applethorpe kitchen, cooking at the wood-fired stove, but sadly there are none. Often, I find her standing a little way behind in photos or to the side so it’s nice to see her front and centre (top right) with family and friends happy at harvest time.

For, by the photo of her and Domenico, it wasn’t long before he died, she becoming a widow at only forty-six. Sadly, their orchards were sold and she moved to her own house in the city – Teneriffe, Brisbane (bottom centre) but missed the farm and her life in Stanthorpe. At a picnic day with friends and family (top centre), still wearing her dark, mourning clothes, again Francesca stands to the back, as in many photos. Dad told me she remained heartbroken at losing Domenico and it truly must have affected her heart for she died just over a couple of years later, aged only 50.

My truly favourite photo of her is one of happiness (centre). She stands in her orchards and it seems light is falling upon her. To me, what’s most beautiful is her bare feet. My great-uncle, Vincenzo tells me his mum was always walking barefoot in the orchards and I love this so much. Her feet on the ground, feeling the earth. For someone who worked her entire life from a very young age and with no holidays, thankfully it seems there were these small moments of beauty in the everyday. 💛

Companion post –
Clues in black and white… Domenico

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limoni e mandarini…

On the kitchen table today… a friend’s home-grown lemons and mandarins on one of Nanna Francesca’s 1950s dinner plates. So lovely when someone brings you fruit and flowers they’ve grown in their garden. To me they’re the perfect gifts. (And the fresh, crisp lemon scent currently in the kitchen is divine!) 🍋

I have to say, we ate off these dinner plates at Nanna Francesca and Nonno Anni’s for decades and it’s incredible how small they are compared to plates these days. That said, I think there were often second, (and even third!), helpings at times. 👀😄 But as is the case when an Italian Nonna has been doing the cooking – no one ever goes hungry!

Hope you have a lovely day. 💛 Zoe xx

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Remembering…

My House, My Truth, 1989 by Mariya Prymachenko (1909-1997). “My house, my truth… my mother did it all and gave me. She sewed, spun, baked bread and pounded millet.” Mariya Prymachenko.

Family. The older generation, having lived life, passes on their experience to their children. Prymachenko’s mother passed on her love for art and taught her to embroider and be herself. – From the Odessa Journal, 2022.

Recently at the charity auction ‘Benefit for Ukraine’s People and Culture’ in Venice, this artwork sold for 110,000 euros to become the most expensive of Prymachenko’s paintings. The entire cost has been donated.

(In the first few weeks of Russia’s war on Ukraine, invading Russian forces burned down the museum that was home to 25 of Mariya’s paintings. The war has now been ongoing for five months with tens of thousands of casualties.) 💛💙🌻 памьятаюші

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Clues in black and white…

When writing of the past, two of the most valuable things I can hope for are handed-down spoken stories and photographs. I never knew my bisnonno, Domenico yet each photo can say so much…

In his work clothes (top left), one knee patched, behind him his Applethorpe orchards on land he’d hand-cleared, long before he could afford the horse.

Below, just a teenager in his navy uniform, this studio portrait in Palmi at the time of WWI. (For most of his life a cigarette never far from his hand – he smoked Capstans).

Other photos reveal the camaraderie of the migrant men in Australia. Their evident love of music and dance in those rare times they weren’t working and could get together, Domenico often asked to play his guitar. Bonds built up in the years they’d been compelled to be apart from family in Italy, and now reunited with wives and children, WW2 over, the future promising.

In the centre photo, Domenico stands between two fellows, well-dressed, behind them the truck he’d bought – that sign of success for many. By this time he owned the farm, had his wife and three children near, a first grandchild. It must be one of the last photos of him. Domenico only lived to be fifty-three but by then, the risk he’d taken in emigrating to Australia with so little, knowing he could never again see his parents and relatives back in Italy, had set up a future for ongoing generations of his descendants. It never fails to impress me what these first generations of migrants accomplished.

Companion post –
Inklings of the past… Francesca

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Stories in art…

Pelaco Shirt Factory, Melbourne – (left) vintage advertising posters, 1951, and (right) 1952 painting by Eric Thake (1904-1982). 

factory life, migrant life, migrant stories…
Pelaco Shirt Factory, 1952 by Eric Thake, watercolour, gouache and pencil on paper.

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Roasted spaghetti squash…

Spaghetti squash… a sunny winter vegetable. It grows on a vine like pumpkin and has yellow, star-shaped blossoms that only open for one day. Love how, once tender, you can gently fork the strands from the sides to create spaghetti in its own bowl.

I never encountered spaghetti squash when growing up. And when it came to spaghetti pasta, when I was a child in the 1970s, at home we mostly had fettucine not spaghetti. Going to Australian friends’ houses I envied how they had spaghetti and added bolognaise sauce on top. I felt self-conscious that at my house we had fettucine with my grandparents’ homemade passata mixed all through and twirled it onto a fork. I’d get tied up in knots about doing anything ‘different’ and not fitting in.

Now I think it’s wonderful that Australia having migrants from more than two hundred countries also means people cooking and sharing more than two hundred traditional cuisines and that’s as well as our First Australians’ rich culture of food and cooking. It’s said that different groups often come to be accepted when their food becomes known, enjoyed and sought after. To think, once spaghetti was so strange and foreign to some and now it’s such a beloved dish in all its forms. Hopefully there are now kids with Italian ancestry happily twirling their spaghetti in front of their friends and even teaching them to do so too. Maybe even with spaghetti squash! Zoë x 💛🍝

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Street photographs – a gift from the past

1940s, Brisbane – you’re walking along a city street and suddenly a smiling photographer in a suit and tie hands you a card that reads: Your photograph has just been taken. Then he moves away to find his next mark. The following day you hand over the card at a photo kiosk to see your image and maybe order a copy…

And most did. From the 1930s to the 1950s especially, city street photography was a big craze when personal cameras were rare, with these inexpensive photographs bought by thousands of people each week.

You may recognise the fellow in this photograph – Nonno Anni – taken in the Brisbane CBD circa late 1940s. Considering he spent most daylight (and night-time) hours, 7 days a week, working at he and Nanna Francesca’s fruit shop and milk bar, my guess is she’s minding it while he’s ducked out to get something. (I’m wondering if he’s cutting through ANZAC Square returning from the main Queen Street area back toward their shop in Ann Street.) Would love to know what was in the parcel!

I only recently found out this photograph existed with Dad discovering it in an old box. It’s such a gift from the past when someone you love, long gone, suddenly appears going about their everyday life in a way you’ve never seen before. What a wonderful practice street photographers had in capturing that era. Wish I could credit the photographer. If anyone knows of Brisbane street photographers of that time, I’d love to know. Zoë xx

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Autumn pumpkins in Australia…

On the kitchen table… a couple of pumpkins we bought from a farmer’s roadside ute near Esk. I love being able to buy straight from a farm ingredients that are in season at their peak and pumpkins even have autumn colours! These will help make many meals but my first thought was pumpkin and ricotta crespelle with crispy sage leaves and a little Parmigiano on top. (Luckily Roger is a fine maker of crespelle, crepes, or scrippelle as they’re called in Abruzzo.)

For centuries in Abruzzo, pumpkins have remained a significant part of folklore and the farming calendar with late autumn being a time of reconciliation and thankfulness when harvesting is over. With the end of the growing seasons and the ‘dead’ of winter ahead, it’s also a time of acknowledging those before us, now gone. Cocce de morte (death heads) are carved from pumpkins and a candle lit inside to illuminate them, welcoming past loved ones to join those present back at their houses and tables for a feast from the harvests. With its roots in pagan times there is dancing, singing, bonfires, gratitude, new wine and plenty to eat and, of course, pumpkins! A lovely tradition melding the past, the present and acknowledging what the earth and hard work can provide. Zoë x
🧡🎃

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The Proxy Bride – new book coming

Four months until, The Proxy Bride is out and the book cover has landed at my desk. It’s always interesting to see what the publisher creates for a cover and even though this is book three, each time it still feels astonishing to see my name on the front!

For this book it’s been an honour to write about a part of our hidden history – the courageous women who married by proxy and travelled to the other side of the world to husbands they’d mostly never met. And also of the Italian wives left behind on farms in Australia after their husbands were interned during WW2 and how these women banded together to survive against tough odds and much hostility towards them at the time.

Not least, it’s also about Nonnas and granddaughters in the 1980s when those stories and secrets from the past began to emerge and cultures clashed along with old Italian traditions and Australian life. Of course, while it’s a novel, so much of this book is inspired by true happenings, family stories and even a bit of my own experience as a teenager in the ’80s. Looking forward to sharing it with you! Zoë xx

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Before and after…

This morning on this cool, rainy ANZAC Day, I watched the Brisbane parade on TV and looked through old family photographs and military records. Over the past 120 years, four generations on both sides of my family have served and fought – in the Boer War, both World Wars and Vietnam, in Africa, Europe, Asia and Australia. Some volunteered, others were conscripted, it quietened a couple, others it unsettled. I also think of those not in uniform but affected by war – the widows, children who lost fathers, mothers who lost children, the loved ones of those men who returned with trauma, understandably changed. So many doing their best to ‘get on with it’ with little or no help.

In the past I’ve shared with you photographs of some in my family in uniform, but today as I looked through old photos, these two struck me. Left, is Granny Maddalena and her son, Elia in 1939, only months before WW2 began. Right, is a couple of years after the war ended, not long before they were to come to Australia to reunite with the rest of the family they’d been cut off from during the war. I’ve written some of what happened to them in Italy during WW2 in Joe’s, but recently I’ve been digging deeper, finding out more that I hope to write about in future.

I have great respect and care for those who elicited such courage as soldiers in my family – I’m also proud of those who got caught up in war as civilians. Granny is older in the photograph after the war, of course, yet compared to before, I can’t help but feel there is something else in her face – a knowing, of atrocity seen that won’t be spoken of, and I see it in her stance too. Also I notice, in the first photo, Maddalena has her hand on Elia’s shoulder, and later on, he has his hand on hers.

I’ve been discovering some parallels to what occurred for them in Italy then with what’s currently happening in Ukraine and it really hits home. As horrible as it is to see, I look, because in a way it’s up to all of us to see, to know, to do, even something small, and to remember. Because it is in peacetimes that our earth and life on it is most beautiful and can thrive with all those things that war curtails – beauty, art, cooking, music and dance, storytelling, laughter, creating. Peace gives us the space to be. Zoë xx

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Speranza e pace…

Clockwise from top left… folk painting, ‘A Dove Has Spread Her Wings and Asks for Peace’, 1982 by Ukrainian artist, Mariya Prymachenko (1909-1997).
A southern Italian tradition this time of year of putting in the window a handmade figure of a woman with fruit, feathers and spinning tools to represent transformation and encourage perseverance until the full arrival of spring.
Beautiful eggshells intricately hand-carved by Tasmanian artist, Bryan Wickens, a Vietnam war veteran who finds peace and distraction from bad war memories by carving eggs, that happen to symbolise new life.
An Italian Colomba cake, baked in a dove-shape (and me! – from a previous magazine article about different Easter traditions).
And finally, bottom left, a Pizza di Pasqua, the Abruzzese saffron, bread-cake, the type Granny Maddalena was making when 15-year-old Nonno Anni happened to be leaving Italy for Australia on Good Friday of all days – the two of them not knowing when, or if, they’d see each other again.
Some days, especially festive ones, times can seem hard but all around, in our traditions, our art, our cooking, it seems there is always hope and always hope for peace. Wishing you all much of both this Easter – whatever your beliefs may be. Tanti bei auguri! ❤️ Zoe x

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Rare internment camp currency… and an 80th anniversary

Something special to share with you on the 80th anniversary of the Western Creek internment camp – a penny Nonno Anni kept from his time there. Internees were barred from having Australian currency in the camp so it couldn’t be used to escape, remain at large, bribe guards or others, or for subversive activities. Instead, any money they carried was swapped to internment camp currency.

Minted in Australia during WW2 and officially referred to as tokens, the coins were struck in five denominations – penny, threepence, one, two and five shillings, which couldn’t be used or redeemed outside a camp. Some internees in various camps created their own currency including paper money but the Australian Department of Army distributed tokens such as this one for official camp use. (This penny was struck by R. Arendeen & Sons Pty Ltd in Malvern, Victoria. The coin dies now owned by the Royal Australian Mint.)

At the end of the war, internees could exchange their tokens at the Commonwealth Bank for their equivalent in Australian currency. The tokens were then withdrawn by the government and the majority melted down in 1945, although it’s said, “some were souvenired by officials, army personnel and even prisoners and today they are eagerly sought by collectors of Australiana”.

The Internment Camps five shillings pieces are now considered so rare that many more extremely rare and valuable 1930 pennies appear at auction than these. (If only Nonno Anni had kept one of those rather than a penny! Just joking, of course, a museum or the Australian War Memorial likely its best option.) Both governments and historians consider such coins historically significant as evidence surrounding the internment of those deemed ‘enemy aliens’ in Australia during WW2.

It seems incredible it’s eighty years since March, 1942 when Annibale (Joe), aged only eighteen, saw dozens of Italian men picked up by police while working on farms around the Stanthorpe area. The only reason he wasn’t arrested on the spot too that day being his cheekily having fled from Ingham to avoid internment without notifying authorities of his change of address as required, but once they saw him among the others the game was up and he had to go in. How it must have felt to be taken away in the ‘internee special’ train not knowing where to, then driven around in army trucks for hours in the dead of night to confuse their whereabouts to end up in a camp seemingly in the middle of nowhere surrounded by bushland.

Annibale was always a hard worker so the initial time in the internment camp while in his prime with nothing to do but be detained must have felt like such a waste, even if he accepted it as a consequence of war. And much later, down the track, once given the option to join a Civil Alien Corps forestry work gang, he was happy for something to do during the long, empty days, but it certainly wasn’t for the six shilling a day payment considering he’d earnt 30 shillings a day cutting cane.

One penny – the smallest amount – but to me this eighty-year-old coin is beyond precious, knowing it comes at the cost of him being interned and knowing he once held it in his hand.

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Next book out in September…

HarperCollins have released the blurb about the next book! The Proxy Bride will be out on 7th September and I can’t wait to share it with you. 

“In 1939, Giacinta sets sail from Italy to Australia. Decades later, a granddaughter discovers the true story of her family… A stunningly crafted novel of family, secrets and facing adversity.

Imagine marrying someone you’ve never met …

When Sofie comes to stay with her grandmother in Stanthorpe, she knows little of Nonna Gia’s past. In the heat of that 1984 summer, the two clash over Gia’s strict Italian ways and superstitions, her chilli-laden spaghetti and the evasive silence surrounding Sofie’s father, who died before she was born. Then Sofie learns Gia had an arranged marriage. From there, the past begins to reveal why no-one will talk of her father.

As Nonna Gia cooks, furtively adding a little more chilli each time, she also begins feeding Sofie her stories. How she came to Australia on a ‘bride ship’, among many proxy brides, knowing little about the husbands they had married from afar, most arriving to find someone much different than described.

Then, as World War II takes over the nation, and in the face of the growing animosity towards Italians that sees their husbands interned, Gia and her friends are left alone. Impoverished. Desperate. To keep their farms going, their only hope is banding together, along with Edie, a reclusive artist on the neighbouring farm and two Women’s Land Army workers. But the venture is made near-impossible by the hatred towards the women held by the local publican and an illicit love between Gia and an Australian, Keith.

The summer burns on and the truth that unfolds is nothing like what Sofie expected …

The author of Mezza Italiana brings to life a unique point of migrant women’s untold experience, in a resonant novel of family, food and love.”

The Proxy Bride…

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Three shades of mimosa…

Italian feminists first chose the mimosa (wattle) flower as a symbol to mark the first International Women’s Day after the end of World War II in 1946. They chose it for its bright colour, scent and plentiful availability at the time of year and their tradition spread across the world.

Estelle Mary (Jo) Sweatman (1872- 1956) is considered to be one of Australia’s most famous painters of wattle (mimosa). (Like most women artists, her name and artworks were not made as well-known like many male artists of the same era.)

First thing this morning, I received this text…

Happy International Women’s Day Zoë !
I hope you can enjoy a little time today to reflect on the achievements of all the other great women.
Dad xx

It made my day. Especially knowing Dad grew up in an era that was so very different for women. And while Mum has been gone a very long time now, I can also hear her voice in his words. I’m so grateful for all the inspirational women who have kept on despite all the setbacks put in front of them because of their gender, yet who persevered to achieve changes, both small and large, that overall make a great difference.

There was a time a woman couldn’t get a book published, then had to publish under a male name and there was also a time that as a woman with a migrant surname it would have been even harder for me to have my writing published. I really appreciate and am thankful for how far women have come and for continuing to persist and also to the strong, just, kind men who support them and keep doing so. Auguri per la Festa della Donna! 💛

Wattle trees on the Riverbank, c.1910s-20s, oil on canvas by Estelle Mary (Jo) Sweatman (1872-1956). 

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a dove has spread her wings…

Last Friday, I discovered this beautiful artwork by Ukrainian artist, Mariya Prymachenko (1909-1997) titled, ‘A Dove Has Spread Her Wings and Asks for Peace’, 1982. I’ve just found out that on Sunday, invading Russian forces burned down the museum that was home to dozens of Mariya’s paintings.

Mariya was from a poor family and could only receive 4 years of schooling. She got polio as a child that left her with physical impairment. Unable to work in the fields she began to draw as she watched the geese. She and her partner Vasyl had a son but didn’t manage to get married before Vasyl was sent to fight in WW2 and was killed. Mariya kept on painting and became renowned for her work. Her son and two grandsons also became artists.

Mariya painted these paintings when she was in her 70s. This one is titled, ‘Our Army, Our Protectors’, 1978. I can’t tell you how distressed I feel at what is happening in Ukraine and other parts of the world where aggression and injustice is being put above people, animals, nature, art, music, culture, food, peace – everything that makes our world such a beautiful place.

I stand in solidarity with the people of Ukraine. May they continue to stand tall, bright and independent like the sunflowers that are their national flower.

(Following the destroying of the museum that contained Mariya’s artworks and many other important cultural items, Ukraine has called for UNESCO to strip Russia of its membership in its organisation.)

Голубка распустила крила, хоче на землі мира. 💛💙🌻

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‘Rain bomb’ 2022…

An unexpected rain event has been unfolding in south-east Queensland. What is being described as a ‘rain bomb’ sat above for days and I happen to live in a suburb where it hovered overhead the longest. We have had non-stop torrential rain and received more than a metre of rain (a staggering 1050+mls in our rain gauge). The most we’ve ever had and I’ve lived in Brisbane close to 50 years.

It breaks my heart to see this happening again so soon after the 2011 floods with people, animals and nature currently being affected by flooding. Those familiar with Joe’s Fruit Shop and Milk Bar will know I wrote about the 2011 floods when we were racing to save belongings from my grandparents’ house as the waters rose, and I must admit it is bringing back very strong memories. We expect big floods in this area every few decades, but certainly not so soon in succession. I’m so proud of how we all handle natural disasters but it feels we’re really being tested at present. Please keep safe everyone. 💙 xx

Pictured… the currawong family who visit daily,
sheltering on the verandah as the rain pelted down.

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Darwin bombings… 80th anniversary

Remembering all those who lost their lives or were traumatised by the heavy bombings that occurred in Darwin on this day 80-years-ago. I wish I’d been taught more about this event at school in the mid-1980s, however back then, more emphasis was on the Pearl Harbour bombings. Many years later, I’d come to learn just how much the bombing of Darwin directly affected Australia and indeed my own family.

My grandpa, Bob and my grandma, Lorna met there in the 1940s when each of them were stationed in Darwin, he in the air force, she in the WNELs (Women’s National Emergency Legion), being among those involved in its clean-up and recovery. These bombings also meant the ramping up of interning Italian ‘aliens’, Nonno Anni being one of those rounded up soon after as a result of what happened in Darwin.

Incredibly, at one point in 1942, my two grandfathers would be just 40kms from each other, Nonno Anni in an internment camp at Western Creek, Grandpa Bob at Cecil Plains where he’d been posted to a new Liberator Squadron assembling to head north. Decades later, they would not only know each other but be related.

Considering what happened to them during WW2, as I wrote in ‘Joe’s’, they each could so easily have chosen to shun each other, cite their differences rather than their similarities. My Australian and Italian grandmothers too. But they didn’t, for the sake of two little girls, their shared granddaughters and I will forever be grateful to them for this because it was so wonderful to have their influence, their stories and their unconditional love in my life.

Perhaps, current generations acknowledging what happened in the past, in some way, might give back a little. And considering that much of the history surrounding Darwin’s bombing remained unspoken for decades, it is with much respect that I remember and acknowledge what happened there eighty years ago today.

Related post… Lorna – WNELs

Joe’s Fruit Shop and Milk Bar

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Summer, backyard grape harvest…

As promised, the first steps in making wine this summer, taught the old-style way by Nonno Anni and older Italians…

Step 1: Roger harvested grapes growing from vine cuttings he gave my cousins a few years back. The grape variety is ‘Isabella’, suitable for growing in warm climates – and it was a stinking hot day when he picked the grapes. (Tried my best with photos of the vines over the pergola but not easy when I’m so short!)

As you can see, harvesting backyard grapes is a bit different to a winery as they don’t all ripen perfectly at the same time. I think those plastic containers hold about 21 kilos of grapes.

Step 2: Sorting the grapes, removing any rotten ones and making sure they’re clean (along with Roger’s feet!)

Step 3: Stomping the grapes, the old-style way (except it’s Roger, not some pretty, young maidens like in Italian films). 👀

Step 4: Crushed grapes and importantly, crushed skins, beginning the fermenting process.

Step 5: Strained juice in demijohns to ferment and let the magic naturally happen for a while.

Down the track, when it comes to the clarifying, bottling and aging process, I’ll share that with you too. Buona giornata! 🍇 Zoe x

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the lovely simplicity of vanilla…

It seemed fitting to follow my previous post of coffee with… cake! It’s been decades since I made patty cakes or cupcakes (‘tortine‘ in Italian). I decided to make some for my cousins who, when I visited them at Christmas time, sent me home with their home-made crostoli in a paper bag. A small gesture that was unexpected and lovely.

We’re returning to their place to harvest the wine grapes they’ve been growing from cuttings Roger gave them a few years back. And so begins the process of him making the wine for this year (yes, he still does so the old-style way taught to him by Nonno Anni and older Italians!) Will share with you some of the process in my next post.

In the meantime, hope my cousins like the tortine! (With so many fancy ones about these days, I had forgotten how nice simple vanilla can be.) 💛 xx

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Art, another year… and coffee

Verso buoni finali e buoni inizi! To good endings and good beginnings (and good coffee too!) What a time it is at present. “Mamma mia!” as Nanna Francesca would say, while Nonno Anni would likely raise his hands, palms up, as if all we can do is get on with it as best we can.
And so we do.

I’ve been back at my desk a week and Roger is back at work too so I no longer have my ‘personal barista’ in the house. Those who know, Mezza Italiana, may recall that on his first trip to Italy, Roger didn’t drink coffee and wouldn’t even go into a café with me, until he came to fall in love with all that is Italian, right up to growing and roasting coffee beans and even doing a barista course!

He’s never learnt coffee art but over our Christmas ‘holiday at home’ I asked if he wanted to try to create a different picture on our coffees each day and he happily gave it a go. Some are great, some maybe a little iffy, but that’s life really, a bit different each day and for the most part you sort of know what you’re going to get, but not truly and then there is the unexpected.

Auguri per l’anno and thank you for joining me here again. I can’t wait to share the next book with you later this year! Zoe xx

PS. I think my favourite might be ‘Aladdin’s lamp’.

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Thank you, auguri and Buon Anno!

Thank you for joining me here throughout the year! Many of you have been here with me for a decade now and it’s a joy to connect with you through stories, cooking, gardening, old photos and of course, Italy. I’m very grateful to you all! The festive season for me has so far been a short ‘holiday at home’ with (mostly) big, blue skies, gardening, swimming, park picnics, cooking, catching up with those I can, and missing those I can’t. As always, the ‘bleeding heart’ vine is flowering right on time in Christmas (and Italian!) colours of red, white and green. There is panettone, Roger’s Xmas tree bread rolls and my cousins made lovely crostoli.

In these past few days leading up to Christmas, when in the backyard, I’ve caught drifting scents of delicious cooking from the kitchen of the Italian lady two doors down and it reminds me so much of Nanna Francesca’s cooking it squeezes my heart. This time can be wonderful and also very hard in various ways. There are those we look forward to seeing, those we wish we could, and those we remember. Again, thank you for being here together this year, especially for your comments, stories and all the ways you connect. I will be back at the desk bright and early at the start of the new year and will also be able to tell you more then about the next book out in 2022! Warmest wishes e Buon Anno! Zoe xx

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Sunday baking…

…focaccia with tomatoes, asparagus and parsley, nasturtiums, rosemary and chives from the vegie patch. A joint effort between Roger and me this time (he being the bread baker, me the gardener). My focaccia decorating skills didn’t turn out quite as pretty as I’d hoped – and one tray copped the hotter side of the oven – but sprinkled with olive oil and salt and eaten while still warm, that didn’t seem to matter in the end! Buona Domenica!

 

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Tying knots and stories…

A post script – there were too many little incidents to include them all in, Joe’s Fruit Shop and Milk Bar, but in relation to the previous post, here is a small, extra story…

Just up from the family house in Wyandra Street, Teneriffe was a Gospel Hall that had Scout meetings on Friday nights. By then, it was the early 1950s and Remo, not yet ten, went along.

To his dismay, when Granny Maddalena found out, she turned up and told him to get home. ‘You’re not going to any more of these meetings, the devil is in there!’ – Perhaps because the Gospel Hall wasn’t Catholic?! – Bewildered, Remo said to her, ‘But we were just learning how to tie knots!’

Nearly thirty years on, the Gospel Hall was still there, next to the land Annibale was hoping to purchase to build the ANFE premises. He made an appointment with the Minister to see if he was willing to sell it. The Minister took a long look at him and said, ‘But I can’t sell this hall to you! The devil is in it!”, and then he winked. He and Annibale had a good laugh, remembering, and then the Minister said, “All right, I’m happy to sell it since the land will be used for another community venture.”

…Dad reminded me of this story just the other day. I didn’t recall ever seeing any photographs with this Gospel Hall in them but then, not long afterward, a curious thing happened. I went back to work looking through old photographs for another book I’m working on, and by chance, out fell a photo Nanna Francesca took in Wyandra Street when they lived there and in the background behind the car is the timber, Gospel Hall. All these years on and I happen to see this for the first time now.

Perhaps I was a bit too sentimental in my previous post, (I can be at the best of times!) It might’ve been because Wyandra Street features so strongly in my family history and now, little remains of how the area once was and another bit will soon vanish. But I accept life keeps going on, change happens and so it is. In the meantime, we connect and live on in our stories and I feel very blessed to be able to share these stories with you and to hear yours in return. Gentile auguri! Zoe xx

PPS Apologies for the picture quality, these photos are almost 70 years old now. (The older boy is a cousin possibly dressed up for an occasion and Dad as a little boy seems to be copying his stance!)

Previous post… A place to meet, share food and stories

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A place to meet, share food and stories…

Forty years ago today, the Brisbane ANFE Italian Club opened its premises in Wyandra Street, Teneriffe, built on the same spot Nonno Anni and Nanna Francesca bought their first house in 1947 (pictured top left and on Mezza Italiana). Yesterday, ANFE celebrated the occasion and as I gazed around the club building it felt poignant, for I couldn’t help thinking of how my grandparents put so much of their time, finances and their hearts into this place and that this time next year, the building would be demolished.

I recalled Nanna Francesca in the kitchen cooking with the other lovely volunteers, Nonno Anni running fund-raising dinner dances for several hundred people, working the bar and waiting tables with others and, when no one else was around, vacuuming the huge floor area or cleaning toilets among the myriad humble jobs he did for the club, despite being its president. He was a driving force in getting this building for ANFE built with both steadfast support from many and at times in the face of indifference from some.

The Brisbane part of the organisation had verged on closing when he took over in 1972 as president, (a position he’d be annually re-elected into every year until his death in 2006). He strongly believed local Italian migrants needed ANFE to continue and found the block of land where he’d once lived in Wyandra Street and even helped build the actual building, along with his brother and other volunteers. (The photo Nanna Francesca took of him unloading bricks from his ute alone on a Sunday perhaps says it all!)

I love how proud he looks among the other ANFE members when the building was officially opened by Brisbane’s mayor, Frank Sleeman 40 years ago (Nonno Anni holding plaque, standing tall, centre) and decades later, the happiness on his face when he (kneeling front) and other members gathered for another photo – it’s almost like, “we did it”. All those decades of voluntary work, events and fundraisers had kept the club going.

For forty years the building has stood, solid, strong, however, it’s been sold and while ANFE will move, like the timber houses that once made way for it and other commercial premises, this building so hard-won and built by volunteers will be demolished, to be built over by a high-rise apartment building, another among dozens now dominating the area. I admit it’s with sadness I write this, as again, another small part of Brisbane’s history will be razed.

I didn’t always understand my grandparents’ connection and drive for ANFE – it was mostly a different part of their lives when I was off busy in my own. Yet I’ve come to be so proud of what they and other like-minded ANFE volunteers achieved. Just recently, I learned about a group of migrants from Afghanistan, some of whom run a modest café with a kitchen garden out the back. While they are now Australian citizens, as they learn English and adjust to a new culture, this back garden offers a place to meet, share food and stories of their struggles and triumphs, keeping some of their birth culture while embracing a new life in Australia. In way, just like ANFE was for Italians all those decades ago.

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Hidden history honoured…

A memorial stone and plaque are now in place at the site of the secret internment camp at Western Creek. It’s been quite a twisting trail to get to this point – from writing about my grandfather being an internee there in Joe’s Fruit Shop and Milk Bar, after years of research and almost a detective hunt in putting together the information and many brick walls from authorities, some refusing to believe the camp that detained hundreds of innocent men during WW2 even existed (despite photographs and other clues).

Then there was the unexpected letter I received from Cecil Gibson, a Millmerran local who’d read my book, and who, together with other members of the Millmerran Museum and Historical Society, sought to also honour this, until then, mostly unknown local history. As I said, it’s been a twisting trail, especially in pinpointing the exact site, uncovering remnants of decades old testimony and even discovering the odd, old WW2 land mine left behind in the area (since cleared)!

I’m so pleased this has all come about, most of all for the young men interned, the army guards who treated them with respect and the women and children left to fend for themselves, many on farms, who did it tough in the absence of their men and workers.

Original post… Hidden history at Western Creek

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Sneak peek… next book

The Proxy Bride is a novel inspired by true stories and set between the 1940s and the 1980s in Italy and Australia. There will be angry spaghetti, mixed grills, mixed tapes, Dean Martin on the 1950s stereogram and plastic on the lounge suite and, above all, hopefully characters you may come to love who band together amid tough times for a new life.

To be released 7 September, 2022…

The plaited chillies hanging in the kitchen are on their way!
Buona settimana!  💛🍝 Zoe x

About The Proxy Bride…

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Fava bean risotto fritters…

The Italian saying, ‘Prendere due piccioni con una fava’ – catch two pigeons with one fava bean – sounds slightly kinder than ‘kill two birds with one stone’ but its meaning, ‘achieve two aims at once’ is the same. It’s fave (broad bean) time again here and they’re particularly fresh, sweet and earthy tasting at present.

We had ‘two aims’ with this lot – a fave and pancetta risotto, and the next day, making the leftover risotto into fritters. (Roger not me, as my cooking is more southern Italian.) I admit, it’s the first time I’ve tried risotto fritters and they are delicious. Maybe a bit too much! And while I can’t take credit for this lot, I did help shell the fave, broad beans.

Shelling is a bit of work, especially removing the outer peel from each bean but we did so ‘Italian style’, sitting around the kitchen table chatting while the sun was setting. It reminded me of an elderly couple I once saw in Basilicata, sitting outside their door in the lane, shelling and chatting together. I admire how, many older Italians, from lifetimes of hard work, appear to be able to turn even tedious tasks into a time of togetherness and having a chat. Those Nonni always seem to know what’s best. Zoe x

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Spring daisies…

I planted these in the vegie patch to attract bees yet the flowers have taken me straight back to the daisy bushes Nanna Francesca grew in her front garden. She often had us stand in front of those daisy bushes for photos and from the 1950s on, we have decades of family photos taken with the daisies. (I’m guessing I’m not the only one who has old photos taken in front of a certain plant or tree in a family garden over the years!) While those daisies are long gone now, I love how daisies will forever remind me of Nanna Francesca. (I also couldn’t resist including the photo of Bisnonno Vitale watering their front garden back when three generations of the family all lived in the house on Brunswick Street.)

In Italian, the word for daisy is margherita, the name of so many women in Italy. Daisies are also said to symbolise hope and new beginnings and in Old English were called ‘day’s eye’ because at night the petals close over the yellow centre and open again to the daylight. I’ve found out too daisies can be medicinal as well as eaten, wild daisy tea used to treat coughs and bronchitis and their leaves added to salads. So, by chance, it seems fitting that I planted one in the vegie patch after all. (And if you look closely at the single flower, the bees have been visiting and left little pollen footprints.) Buona giornata! 💛🌼🌿

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The magic of an old hen…

Gallina vecchia fa buon brodo’ – an old hen makes good broth as the Italian saying goes, for it brings age and experience in the magic of food being medicine and comfort. (A good quality, free range chicken who’s led a pleasant, kind life in the outdoors and lived a bit longer is good too.) It’s been a while since I’ve roasted a whole chicken and made broth, something Granny Maddalena did as one of her remedies as the village witch. (Her chicken soup was said to cure her son, Elia from typhoid when a doctor couldn’t.)

Of course, Italians don’t follow written recipes but I was curious to find one for roast fowl with dripping in an Australian 1934 cookery book. My Italian-Australian version is somewhat different but simple with leaves of rosemary from the garden, olive oil, mountain pepper berries, lemon myrtle, saltbush and desert raisins sprinkled over top. What is left after the roast meat is eaten is all put in a pot with water and soffritto, that trio of carrots, onion and celery, simmered for hours then strained.

Whether as a clear soup or stock for risotto it is amazingly restorative – along with some cheery flowers on the kitchen table. For all of you, especially those who are finding times a challenge at present, wishing you a lovely day, the happiness of yellow flowers and good chicken soup. Zoe 💛 xx

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Four generations…

I have this one treasured photo with three generations of the Boccabella men in my life – Dad, Nonno Anni, Bisnonno Vitale (and my zio).

When I was born, I was the first girl in centuries of generations in my Boccabella line and very fortunate to have these older men around me. Men who showed me kindness, love, respect and generosity, who never hit or yelled, worked very hard and who could also be infuriatingly stubborn at times! Am very proud to share their name and their stories.

Happy Father’s Day to all the Dads and tight hugs to those missing Dads (and also Grandpas and Great-Granddads as I do too). With much love, Zoë xx

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Book news and the first day of spring…

New season, new month and very happy to say… a new book on the way! I’ve recently signed a contract with HQ Fiction – HarperCollins for book three. It’s very early news but so many of you over the years have asked with such warmth and kindness when the next book is coming, I wanted to share this with you straight away.

One unexpected catch, it will be more than a year or longer until it is in print due to delays like covid. Still, I’m so grateful to be getting published in such times and am now working on book four. It’s too soon to reveal much more just yet, including the title, but I will do so as soon as I’m able to.

Most of all, I wanted to thank you for your encouragement and thoughtful words over the years between books. It really does keep me going throughout the lengthy writing process. I can’t wait to share this new book with you! Zoe xx 💛🌿

(I took this photo last summer but a bee in flight and the happiness of yellow flowers seemed perfect to celebrate the first day of spring.)

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Light in the unexpected…

An unexpected package in my letterbox… a present from a lovely friend, Eileen, who was ordering fabrics for her business, happened to see this tea towel and thought of me.

It’s been a long while since I’ve been able to go back to Abruzzo where Nonno Anni, Granny Maddalena and so many in my family are from, and where I used to buy such tea towels at the local market. So it’s great to add this one to the collection. (I’m guessing some of you may be familiar with these regional Italian linen tea towels!)

I used to carefully put them aside in the linen cupboard but now I use them and it’s lovely to see them in the kitchen each day. Thank you to Eileen for such kindness – it made my day to receive this! xx (Eileen makes cushions in gorgeous vintage fabrics at Touch Wood Design.) Times have been tough for so many lately. I guess I hold hope that such kindnesses, however small, that we might be able to do, can keep giving us some light.

Wishing you a lovely day! Zoe 💛🌻

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Trees and memories…

On the kitchen table today while in lockdown… cypress cuttings from the backyard in a vase I brought back from beautiful Orvieto many years ago. (And its potter’s mark.)

I don’t know if it’s just me or if anyone else names trees in their backyard but we call this cypress, ‘Annibale’, after Nonno Anni and it’s special to me because Mum gave it to us in a tiny pot to remember him when he died and not so long after, we lost her too, so this tree feels doubly special.

(Evergreen is a symbol of immortality and in ancient times the custom was to place fresh boughs to salute the departed and console the bereaved, such a lovely tradition, especially in winter when there were no flowers and the green lay stark against the snow.)

Fifteen years on, the cypress tree, ‘Annibale’ continues to thrive, is quite tall and burly (a bit like Nonno Anni was) and home to our lovely resident possum, Tabitha and a nest of honeyeater birds. (And its fronds have a lovely fresh scent on the kitchen table!) Hope you are keeping safe and well wherever you may be, in or out of lockdown. Zoe xx

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Bellezza a Palmi…

Palmi, Calabria, deep in Italy’s south, where my Nanna Francesca was born. So many people warned me off going here, telling me it was too dangerous – including my own grandparents! But I’m eternally grateful Roger and I didn’t heed the warnings. For me, I think the pull of seeing the place of my Solano, Carrozza, Misale and Rizzitano ancestors was too great.

Like many parts of Italy’s south, there’s much unjust poverty yet there is such richness in the life, the cooking, the coffees, the music, art, the dancing and song stories. I love that in the space of a day in Palmi you can find yourself by the sea, in a gorgeous park, up the forested mountain stopped by sheep and a shepherd with a flowing white beard, or down in a cramped city street. Having lunch near umbrellas made of palm fronds next to the gentle swish of the sea or dinner where a tv surrounded by wine is blaring with a variety show on.

I still have the corno and chilli amulets from Palmi hanging in my Brisbane kitchen and I can still smell the salt and Vespa fumes, feel the sun’s blast and the coolness of the Tyrrhenian Sea of when I was in Calabria. And of course, I got to see where Nanna Francesca loved living with her Mum and her Nonna, the local baker. Sometimes it’s good not to listen to hearsay and judgments about a place and just find out for yourself.

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Winter circles…

Winter circles… kitchen, garden, lovely moon and of course, coffee (thanks to Roger’s barista skills!) It’s the best time for my favourite type of slow and oven cooking and the dishes pictured include (top right) ricotta gnocchi baked in the pan and (bottom left) a serpente of mushrooms and wild greens (but the snake got away on me a bit!)

I wish I had a fireplace as flames are such a lovely part of winter but instead must be content with this beeswax candle – though I have to say it does smell delicious. And for those who saw my last post, the first mandarin (pictured) from the tree actually was very delicious, and perfect, perhaps even more so because I could go out and pick it from the backyard!

Hope you’re keeping warm and carrying on cooking and getting out into the garden, park or patio, even if to just be in the sun and crisp air for a bit, or to see the winter moon. Zoe x

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Mandarini e rosmarino…

The shortest day of the year and the garden’s winter light seems crisper, a dryness to the cool air. As I get older, I realise more and more my gardening is taking on aspects of the Nonnos and Nonnas among us, as if by osmosis… checking each day, touching the plant leaves, saving seeds, happiness at seeing healthy worms in the freshly turned over soil. Perhaps one day I’ll even start planting by the moon like many Italian gardeners do, instead of plonking plants in and hoping for the best.

Mandarins and rosemary are reigning in the vegie patch at present. I’m soon to pick my first mandarin for the season and each day keenly check their growing blush of orange. Meanwhile, the rosemary is like a forest and as well as using it in cooking, I’m starting to put rosemary wands in flower vases and love their scent when I touch them while going past.

There’s an Italian saying… where rosemary bushes grow large and bloom, the woman rules the house. I’m not sure about that, although it might make Roger laugh, I’m sure! But I do love how it makes me think of Nanna Francesca’s rosemary shrub and how my Mum grew it too. They were both strong yet gentle as needed be, forte e gentile, and if those qualities rule a house, then so be it. Happy winter solstice! Zoe xx

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Nancy, Soccorsa…

Vale to my great-aunt, Nancy, Nanna Francesca’s sister. In Mezza Italiana, I wrote about when she was born in Stanthorpe in the 1930s and her parents named her Soccorsa, they hadn’t even left the hospital when the nurses, adamant Soccorsa was too hard to say, called her, ‘Nancy’, a name that was to stick for life.

‘But Mum and Dad always called me Soccorsa, or Corsa for short, at home,’ my great-aunt Nancy told me with a smile. ‘It is officially my name.’

When I went to Palmi in Calabria to see where Nanna Francesca and my bisnonni had lived, it was sad that the house was only rubble after the war, however I was thrilled to see the name of their street was Piazzetta del Soccorso. Bisnonna Cesca had named her daughter after her own mother, Soccorsa who was the baker for all those in their area and it’s lovely that the street bears the name. Sadly, Soccorsa never got to meet the granddaughter that was her namesake but there is something beautiful and poignant in keeping those links with ancestral history though on the other side of the world, especially knowing back then they wouldn’t be able to see each other again. Sending much love to those closest to Nancy, Soccorsa. Zoë xx

The pictures show (top left) the street they lived in with the park Villa Mazzini above and the church on the corner as it is now, (below) the street sign that I took a photo of when I was there and (right) Nancy, Soccorsa as a teenager in Stanthorpe, my favourite photo of her. 

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Vegie patch flowers…

It’s usually feast or famine in my garden and while I’ve always wanted to be one of those people who have lots of magnificent flowers growing, it seems they never bloom much and then move on to the next life. As winter draws near and the garden is changing with the seasons, I’ve realised that over the spring and summer, I do have many flowers in the garden, it’s just that they usually end up turning into food!

They mightn’t be as big or spectacular as other flowers but they are very giving, both to us and the different wildlife that visit, so I do feel pretty grateful to have had these lovelies in the vegie patch over the warmest months. And they’ve been the start of what would later be picked to became part of many dishes that have ended up on the kitchen table!

Here’s just a few… Flowers from top left to right: eggplant (looks like a bunch of bananas in the middle!), lettuce, nasturtiums, tomato, mandarin, chilli, pumpkin, coffee and turmeric. (Sounds more like a pantry!) And last but definitely not least, very thankful for the bees and other insects that come to do their magic. 💛🐝

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Italian hearth bread…

The perfect thing to make when it’s cool and rainy outside, warm and cosy inside. Schiacciata al rosmarino e pomodori. A hearth bread like focaccia (except this time made in the oven not a fireplace!) 💛🍅🌿

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Autumn flowering…

Coming back from the shop recently, I passed a house that had a bucket of free geranium cuttings out front and stopped to take a couple.

A few weeks on, and am rewarded with this lovely autumn flowering… (no filters, no tricks, just saturated with its own colour). A reminder of someone kind sharing their garden with others… and also, window boxes of these red flowers in stone villages that takes me straight back to Italy.  xx

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Last of the summer basil…

Last of the summer basil… in mid-autumn – time for basil pesto! I grew up with southern Italian cooking and so came to this dish from the north a bit later on. There are so many variations but I’ve tried to make it as close as I can to the original Ligurian version using basil, pine nuts, garlic, olive oil and Parmigiano Reggiano.

I did serve it with a southern Italian pasta though… orecchiette, from Apulia so the ‘little ears’ can ‘listen’ to the pesto (love how they cup the pesto in their shells).

Addio basilico, until next summer but buon appetito a tutti! Zoe x

 

(Secret tip: salt helps in crushing it all in the mortar with the pestle but I had to be careful not to oversalt. Oh, and I never cut basil leaves, only tear them, otherwise they go black.)

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Forte e gentile…

Twelve years on from the Abruzzo earthquake and the past is still as much a part of the present. Thinking of all those lost, driven away, who stayed, the many still unable to return to their homes and all whose lives it changed. With love con affetto agli Abruzzese. Forte e gentile. From the other side of the world, you are still thought of. 💛

 

Abruzzo earthquake, 3.32am, 6th April, 2009.

 

* According to Primo Levi (1853–1917), ‘forte e gentile’ – strong and kind, best described the beauty of Abruzzo and the character of its people. It has since become the motto of the region and its inhabitants.

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Buona Pasqua a tutti!

Whether this time for you is about faith, new happenings or taking stock with the changing of the seasons, I hope it brings you much happiness.

This article (pictured) appeared in a magazine a few years back in a feature looking at how French, Greek and Italian Easters were celebrated in Australia. I always feel a bit shy having my photo taken for these things and the main part of this photo is the Colomba, or Italian Easter cake in the shape of a dove that sits on the table in front of me. (I recall the photo shoot was weeks before Easter and it was difficult to get hold of one then!)

Colomba cakes are mostly bought and Nanna Francesca used to make a more modest Easter bread with hard-boiled eggs baked into it. This year I broke with tradition and made an ‘Easter lasagne’ for the family. It has been a rainy day so it seemed the thing to cook.

As for the rest of the Easter weekend, after it being very busy so far and with more rain to come, hopefully it will be dolce far niente, ‘the sweetness of doing nothing’. 😉 Tante belle cose! Zoe xx

Brutti ma buoni (ugly but good – hopefully!) 😄

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Sunflower light…

Gorgeous Sunday among the sunflowers… and an inspiring torta girandola, pinwheel tart, that shows how the Italian word for sunflower, girasole, also relates to girandola, a pinwheel or Catherine firework wheel. Love how nature so often shines through in Italian food like this torta and also girandole di carnevale fritte, pinwheel sweets. I also love how sunflowers have circadian rhythms, which mean their faces follow the sun from sunrise to sunset every day. And apart from that they are such joyful flowers that seem to pulsate light and happiness! 💛🌻

(The torta girandola has a filling of ricotta and spinach/ wild greens and the girandole di carnevale fritte are made to the same recipe as chiacchiere.)

 

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Sempre avanti…

My Bisnonna, Granny Maddalena’s birthday was today and by complete coincidence, this morning I was talking to one of her relatives in Italy of her stories that I’m writing about. Like many of her era, Maddalena’s life was shaped by hard-earned experience as she lived through two wars, an earthquake, a pandemic, the depression and bringing up her sons single-handedly before she could join her husband in Australia.

I guess it’s no surprise there’s a saying among Italian Nonnas – ‘Sempre avanti’ – no matter what happens, keep looking ahead, keep going. The strength and braveness of these older women is remarkable. (Granny Maddalena still cheerful and cheeky in her late 80s.)
Sempre avanti! xxx

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From one hand to another…

I’m so thrilled that, Joe’s Fruit Shop and Milk Bar has now been translated and published in braille. In a way, the story is completing a lovely circle in travelling from my mind to be written by hand then to be read by hand and to another mind.

Thank you to all those at Braille House who made this possible. It really feels very special! 💙 Zoe xx

[Image descriptions: Image 1: blue book cover with braille along the spine and a black and white photo of Joe and Francesca and their little boy, Remo in front of their 1950s milk bar.
Image 2: a braille alphabet.]

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Bees and yellow petals…

I was so focused on the bee burrowing into the rose on the right, I didn’t realise I’d captured the bee in flight to the left. Such a lovely surprise! Hope your week brings you some little bit of unexpected luck and gladness no matter how small it might be. 💛

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Polpette and peas in gravy…

Polpette and peas in gravy, such an ‘Australitaliano’ combination – meatballs and peas in tomato sauce. Comfort food at its best. Nanna Francesca cooked this a lot (and when I was a kid, I found it a bit confusing that, being southern Italian, she called the tomato passata or sugo – ‘gravy’ considering my Australian Mum called gravy a deep-brown liquid accompanying a roast). Nanna Francesca would’ve been 95 today so it seems fitting to cook her polpette e piselli in gravy. We always celebrated her birthday on the 12th, the day she was born though the official date on her birth certificate was the 19th (lodged late as her parents argued who to name her after). Tradition won, as did her father, and being the first-born, Francesca was named after her paternal grandmother.

This photograph of Nanna Francesca isn’t the clearest unfortunately, but she just looks so natural and happy in it, I couldn’t go past it. It’s from the 1960s and I love how the flowers she holds look like they’re from a garden rather than bought. It seemed all her life she worked so hard – at the farm, at home, in the fruit shop and milk bar, at the ANFE club and always looking after family. And she spent many hours at the stove cooking for four generations of us. It’s lovely to see her dressed to go out and given some flowers.

While it’s almost twenty years she’s been gone, I feel lucky to have had her in my life for the time I did and of course, the memory of our loved ones lives on, especially when we cook the dishes they cooked. (I’ve included the recipe that was printed in Delicious magazine and yes, the dish they made for the article photo is much more elegant than my at home version you see pictured here!)

Buon compleanno a mia Nonna, with love and recognition for all your love and hard work – and your polpette and peas in gravy! xx

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Rich blue skies in the Apennines…

View from Fossa.

The torre, Fossa’s oldest structure dating back to the 12th century.

I can’t quite believe it’s twenty-five years since the first time I went to Italy… And those who know Mezza Italiana know that, for me, going to see where my family came from was a trip I took with some trepidation and mixed feelings, and yet it turned out to be incredibly life-changing. Little did I know then, I’d one day write a book about it and that the best thing about that would be connecting with so many of you and discovering how you shared either similar experiences about your ancestry and/or a love for Italy. It still amazes me to think that trip became the start of Mezza Italiana, especially as I wrote about something that I’d kept so close inside for my whole life until then.

Monastery on the outskirts of Fossa… Il Convento di Sant’ Angelo d’Ocre, founded in the 13th century.

Rich blue skies in the middle of the day.

Being twenty-five years on, I decided to dig out the photos I took on that first trip to Fossa in Abruzzo. (Some of them certainly look like they’re that old now!) I also had a modest Pentax camera that took rolls of film so some photos mightn’t be the best or as many as I’d take now on a phone camera, considering the cost to get rolls of films developed on a backpacker’s budget then! Still, it’s lovely to look back, especially to see Nanna Francesca and Nonno Anni next to me on the front steps the day I arrived as well as beautiful Fossa when there was no hint of the earthquake to come more than a decade later. And I still can’t get over the rich blueness of the sky some days up there in the Apennine Mountains! No filters or tricks on these photos, just nature at its most exquisite. Thank you for taking the Mezza Italiana journey with me and for sharing your stories too. Grazie infinite cari amici! Zoe xx

Early morning mist over the mountain with the romance of chimneys, terracotta roofs… and a quite tall tv antenna. 👀

Fossa at dusk. Almost timeless.

 

 

 

 

More photos here

 

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A decade on from the flood…

Floodwater creeping up Brunswick Street, New Farm. 2011

The tenth anniversary of the 2011 Brisbane floods has crept up on me in a way, like the floodwater as we tried to save things from my grandparents New Farm house. It’s still hard to believe how the water rose so deceptively fast. And not just from the river breaching its banks but up road drains and inside houses up sinks and toilets.

Brunswick Street not long after.

Those familiar with what I wrote of it in, Joe’s Fruit Shop and Milk Bar know much was lost, including what remained of my grandparents’ possessions. While my home wasn’t impacted, I find I’m still affected by the floods I saw a decade ago. I still cry. For the 36 lives lost, three of those people never found. For those who had to climb onto their roofs to be rescued, for all the animals lost. And not only those affected in Brisbane but people in Ipswich, in Toowoomba, Grantham and its surrounds where they faced without warning an inland tsunami. For all those impacted that 2011 summer when Queensland had a flood incredibly, the size of France and Germany combined.

Top: New Farm (arrow shows my grandparents’ house). Bottom: Rocklea Markets, where Nonno Anni would go each day for produce for his fruit shop and milk bar. Courtesy, ABC.

Returning to my grandparents’ house after the flood, I recall being stunned and quiet on the outside yet my heart beating fast. I can still smell the grey-black mud the flood left in its wake. Anyone who smelt it will know that almost primal, earthy smell, mixed with acrid chemicals and an overlay of death and decay. To see it covering my grandparents’ lounge suite and Nanna Francesca’s ‘good’ cabinet that still contained glassware and crockery we didn’t have time to save is a sight I’ll never forget.

The first two photos are my own and show the floodwater creeping up the footpath toward my grandparents’ house and then their part of Brunswick Street soon after. The others are courtesy of the ABC and are before and after the flood.

This anniversary will be very hard for so many people and my heart goes out to them. Yes, time passes. Experiences become less raw. Yet, they’re not forgotten. The resilience of people in the face of grief and loss moves me the most. When it doesn’t matter if rich or poor, or any of those other labels that often can divide us, all put aside when people come together to help each other. I hope we never lose that.

Top: Milton. Bottom: Fairfield. Courtesy, ABC.

Top: Ipswich. Bottom: Lang Park, Milton. Courtesy, ABC.

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Epiphany, la Befana and pizze fritte…

January 6th – Epiphany and the visit of la Befana, the wise men and women and marking the end of 12 days of Christmas. Whatever your beliefs, ‘epiphany’ is a lovely word with connotations of insight, discovery and a sudden understanding of something that is very important to you.

Am pleased to say that la Befana brought my nephew some little toys rather than coal last night and also that she managed to find her way from Italy to Australia!

In another Italian tradition… after learning about Abruzzese pizze fritte – its song and secret recipe handed down from mother-to-daughter (and sometimes son), but only on New Year’s Eve – Roger and I decided to end the year by cooking these.

Except, not knowing all of the secret recipe that contains anise and saffron, we decided to make our own version with toppings of basil pesto and crispy prosciutto, bufala di mozzarella, melanzane, tomato and basilico leaves from the garden. The fritte were also cooked in a wok and finished in the oven, which worked well, but isn’t quite traditional! Yet they were delicious and I loved thinking about their connection with Abruzzo.

Wise women and men arrive on Epiphany. Fresco painted in 1303 by Giotto and his team of painters, Scrovegni Chapel, Padua, Veneto Italy.

And thinking about this today, I guess I had an epiphany of sorts that it doesn’t matter if something sometimes isn’t ‘perfectly traditional’. The fact I’ve grown up on the other side of the world from the Italy of my ancestors and still treasure the centuries-old traditions and recipes is still expressing a love and honour for them, the past and Italia. If it otherwise means not following a tradition at all because it’s too hard or the recipe is lost, perhaps it’s okay to adapt them at times. For that becomes part of our history too, all of us adapting here and there along the way over the years, while still understanding what is important overall. Tanti auguri di felicità per l’Epifania! Many wishes of happiness for Epiphany! xxx

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At the end of the year…

“On Boxing Day, Annibale, Francesca and the others loaded the back of the Chevrolet with cold drinks, some roast chickens and a couple of large watermelons. After several years of keeping the fruit shop and milk bar open almost every day, Annibale had decided they’d close for a couple of days over Christmas and the family would head to the beach for the day…

They chose a grassy spot in the stippled shade of a Norfolk Pine and set out the Esky on top of an old canvas tarpaulin. Maddalena and Vitale sat on fold-out chairs in the shade while everyone else headed for the beach. The sand was rough with bits of broken shell underfoot but it was a perfect day for the seaside, warm, with little wind, sunlight glinting on the water. Francesca hadn’t stood on a beach since her childhood in Palmi. Just the sound of the gentle waves breaking in little bubbly ripples around her feet brought a smile. None of them could swim but they only went in waist-deep, crouching and talking, ducking under at times to cool their heads.

At noon, Maddalena waved everyone in, and they traipsed up the beach for lunch. Towels wrapped about their waists, they sat on the edge of the tarpaulin, feet caked with wet sand sticking out onto the grass. Everyone devoured pieces of roast chicken, licking salt and grease from their fingers, before biting into slices of watermelon, the sugary juice flooding their mouths. Remo and a few of the young migrants who’d come with them competed in how far they could shoot black seeds from between their lips onto the grass.

After lunch, while the others went to get an ice cream or for another dip in the sea, Annibale lay back on the tarp snoozing, one arm flung over his eyes. The waves slapped with calming monotony. Children shrieked in their games along the sand. Seagulls strolled, squabbled and scooped water into their beaks at the water’s edge. With a chuckle, Francesca took a photo as Annibale dozed, unaware. Then she sat down next to him, watching Remo and Lorenzo building a sandcastle with a moat. There was no way the incoming tide would fill it until they’d long gone back to Brisbane. Francesca felt so happy being at a beach again she didn’t want it to end.”

From, Joe’s Fruit Shop and Milk Bar.

(Nonno Anni at Suttons Beach, Redcliffe.)

Like so many migrants running their own businesses, for years, my grandparents worked every day, including nights and weekends to keep their fruit shop and milk bar open from 7am to 11pm, and after several years of no holidays at all, only had a one-day holiday at the beach each year for decades. I will forever be inspired by their work ethic and have so much respect for all those migrants working hard in the same situation today. Grazie con molto rispetto. Zoë xx

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Oranges and Christmas…

Nonno Anni told me when he received an orange for Christmas during his childhood in the 1920s, he treasured it. I knew he and his Mum were poor and village life in Italy was hard at that time, especially with his father far away in Australia to seek work, but an orange… I couldn’t quite believe it when I found this out as a child in the 1970s and oranges were so easy to get then. But fresh oranges were considered treasures before refrigeration and faster transport. Especially at Christmas considering that since ancient times, oranges have been said to bring joy, good luck and to ward off evil. (What must Nonno Anni have thought once he had a whole display of oranges at his fruit shop and milk bar!)

So, with Christmas oranges in mind, I decided to bake an orange cake since it’s that time of year and it wasn’t until making it that I realised, this one cake of simple ingredients is also made up of elements from several generations… the Christmas orange story from Nonno’s Italian childhood, the cake tin well-used in baking for countless cake stalls and Australian country shows before my mother-in-law handed it onto us, the orange cake recipe in her mother’s 1930s cookbook, also passed on to us with affection. (And I love how the recipe’s first line is, three eggs and their weight in sugar…)

If I’m honest, Christmas isn’t always the easiest time for me as it feels bittersweet with the happiness of those present mingled with the quiet of those unable to be or now gone. But food is so special in that certain dishes can trigger those lovely memories of people dear to us no matter how long it may be since we’ve seen them and this year, I feel happy that oranges can bring that little bit of sunshine.

Warmest wishes and thank you for your lovely support and messages throughout the year. May 2020 be filled with light and some happiness no matter what else it may bring! Wishing you tante belle cose – many beautiful things, Zoe xx

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Mezza Italiana on ABC Nightlife…

From this week until early January, ABC Nightlife in Australia is broadcasting the Mezza Italiana audiobook read by Marcella Russo (pictured). This is one for the night owls as it may not be on until around midnight, although I’m told apparently it will have quite a large audience of half-a-million nationally! Many thanks to Bolinda audio, ABC Books and Nightlife. So lovely to think Mezza is still out there reaching people. ❤🍅 xx

https://www.abc.net.au/radio/programs/nightlife/

https://geni.us/MezzaItalianaaudiobook

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Two dishes, from two regions and two bisnonne… Abruzzo and Calabria

When we cook the same dishes that our ancestors cooked it connects us to them, to our history and it also brings us back to something within ourselves that we mightn’t have thought of for some time or something we hadn’t yet discovered. Just the aroma of a dish cooking can release a trigger of deep memories that lets things rise up and take shape in us.

I grew up in Australia, far from where my great-grandmothers, Maddalena and Francesca lived in Italy. And yet, here I am, almost a century on, cooking the same dishes they cooked, a lovely connection to these two strong women. The dishes are maccheroni Calabrese (knitting needle pasta) and pasta alla chitarra (guitar pasta) made on a ‘chitarra box’ I got from Abruzzo. I sought to make sauces that reflected their history too. The maccheroni Calabrese (pasta rolled on a knitting needle for its shape) has a richer red sauce with melanzane and chillies that Francesca’s town of Palmi is known for. And the chitarra pasta has bitter, wild greens added to the passata, inspired by Maddalena walking hillsides near Fossa picking wild greens into her upturned apron and taking them back to cook with. It also has pecorino cheese on top because that part of Abruzzo is known for its sheep.

These dishes (pictured) are from my kitchen so they are a little rustic (as are their photos!) and mightn’t live up to those cooked by my bisnonne, but they made me feel happy and reminded me of those before and sometimes maybe that’s all we need when it comes to cooking.
Hope your next time cooking is delicious and joyful! Zoë xx

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Remembrance and peace…

“Maddalena strode down the hill to the valley, feeling every step in her knees. Since turning fifty-three, she occasionally had to rub warm olive oil into her joints. She was inwardly cursing having to kneel to weed the immature poppy plants among the sugar beets when she caught sight of an abandoned hillside covered with poppies in full bloom. Her steps slowed, the flowers holding her gaze, a sea of red and green rippling in the spring breeze. She’d never considered them beautiful before. There seemed to be so many, thousands upon thousands, and yet it if each one represented a person lost in the war, the number didn’t come even close.” From, Joe’s Fruit Shop and Milk Bar.

 

(Poppy field near Monticchio in Abruzzo.
Took this when I was staying at the family house in nearby Fossa in 2005.)

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The ghost town after the earthquake…

2005

This is the most recent footage of Fossa since the Abruzzo earthquake of 2009. It is called, ‘Town Disappeared Overnight’ by Broken Window Theory and shows the ghost town that it tragically is today. I admit, I did find it hard to watch at times – the place where generations of my family lived for centuries and many parts of the village where I’ve walked and lived and of course written about in both my books. It gave me goosebumps to see and I felt bewildered, sad, captivated and protective all at once. For this is not just a curiosity, it is where people’s lives were lost and for others where life, as they knew it, ended.

I look at the streets overgrown and neglected and at the same time I see in my mind back when they were well-kept and clean and full of people, cats, dogs, cars and vespas. Incredibly, at 18 minutes into this 20 minute footage, my family’s house with its little balcony fills the screen. It is deceptive because from that side wall the destruction inside the house is concealed. If you have any link to Abruzzo, I warn that this footage may be hard to watch as those filming go right into the most intimate parts of homes, which may just happen to be yours or of someone you know. That said, the young men filming have done so with respect, have only entered houses where the doors were already open and have concealed the name and whereabouts of the village. (Considering my own family’s house is one of those looted since the earthquake, I appreciate this.) By the end, they also appear to be overwhelmed by all they’ve seen.

I’ve always held hope to return to the village and my family’s house even if it is still a ghost town. However, most of all, I hope to see it and the other towns affected by the 2009 earthquake once again as they were. Vibrant, full of people of all ages, cooking aromas, vespas going past, cats asleep in doorways, women shelling peas, tvs blaring, kids playing football in the piazza, birds chirruping among the lanes and the church bell clanging, everything that was beautiful and glorious about Italian village life. xx

To watch footage… click here

For more about Fossa, how it once was and the earthquake…

Mezza Italiana

Joe’s Fruit Shop and Milk Bar

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Spring garden and severe storms…

My vegie patch has been going well this spring – I’ve counted 36 tomatoes on the plants so far – and also coming along well is the corn (my first try growing it) and there’s eggplant, pumpkin, figs, plenty of pawpaws, lots of different herbs, nasturtiums, daisies and sunflowers on their way for the bees.

Unfortunately, there are also severe storms predicted and after the tomatoes copped some hail on Sunday, this morning I decided it safest to cover up the vegie patch with netting as best I could, being a short person! (I was also perhaps channelling Nonno Anni and his enthusiastic netting that he used to do for his fig trees! That said, hopefully the tent pegs and clothes pegs I’ve got holding it all in place do work.)

Really hoping the severity of the storms forecast doesn’t eventuate so that not just the garden but people and animals stay safe too. I’ve used this fine, white netting that is best for protection from hail as well as hungry visitors. (The other netting pictured that is black with larger holes is not very effective and it’s cruel as birds and flying foxes can’t see it as well and also get caught up in it and break their wings.)

I also wanted to say congratulations to everyone in Melbourne and thank you for your forbearance! Well done!! You’ve stayed in my thoughts and am so pleased for you all. Enjoy coming out of lockdown! As the Nonnas would say, Sempre avanti. Zoë xx

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Bisnonna Francesca in her orchards, early 1950s…

I never usually know what ‘international day’ it is but happened to see that today it’s in honour of rural women, so thought I’d share with you this rare photo of my great-grandmother taken of her alone.

For much of her life she worked on their fruit farm at Applethorpe, also keeping it going for a time with her young children after her husband suddenly died aged 54. I believe the only holiday she ever really had was on the ship journey she took from Italy to Australia in 1934. She was a hard worker, determined, a loyal wife and raised three children. Sadly, she was also to die young at just 50, only a couple of years after her husband.

I love that in this picture it appears like a shaft of light is falling across her. I also love that this is the only one of her in bare feet. xxx

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Some book news…

So pleased I can share with you that Mezza Italiana is going to be broadcast on ABC radio’s, Nightlife from early December and into January. The audio book is voiced by actor and voice-over artist, Marcella Russo, who was fantastic to work with. I also recently found out that, Joe’s Fruit Shop and Milk Bar is to be translated into braille, which is a wonderful surprise. A few years back, I had the opportunity to do a literary talk at a luncheon at NSW Parliament House to support the Royal Institute for Deaf and Blind Children and I’m really thrilled that this translation has come about.

In other book news I’m gradually coming toward the end of what has been a massive project of writing two books back-to-back including a lot of research over the past few years. I’m not yet sure what effect the current pandemic situation is going to have on this and to be honest it does feel a bit overwhelming and uncertain to be in the arts at present, but when the time comes that I have more news I can share with you, I will do so straightaway! In the meantime, I hope you are well, especially those who have been enduring longer lockdowns than others. My heart and thoughts stay with you and am wishing you hope, more fortitude and some light in your day, even if it is something as small and special as a bird popping by the window. In bocca al lupo. Zoe xx

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Secret internment camp near Millmerran…

When I wrote about the secret internment camp at Western Creek in Joe’s Fruit Shop and Milk Bar, I thought that was the end of it. It took several years and almost a detective hunt to put together the information and I met many brick walls from authorities. Some refused to believe the camp that detained hundreds of innocent men during WW2 even existed, others conceded that records for such camps were often scant and, in the years afterward, destroyed. Or not kept at all. (These camps being relatively secret and hidden out in Queensland’s west in forest or bushland when official internment camps at places like Enoggera were full.)

However, I had photographs that were taken inside the camp of internees, like the one pictured here from 1942 with my grandfather, Joe, Nonno Anni (back right) as well as when he returned to the site in 1964 (photo below). Along with his stories, I spoke to others such as a ninety-year-old Millmerran local who clearly remembered the Western Creek internment camp and the internees. Yet, at the time, I went out searching for the site there was little to guide me, no mention of this part of local history in the museum and most didn’t know about it.

So, years afterward, it is quite unexpected to have been contacted by Cecil Gibson of the Millmerran Museum and Historical Society, who, after learning about the camp through my book and subsequent searches, is planning to put together a display in the museum and a marker to memorialise the site of the Western Creek internment camp. This is so important, both for the sake of the young men interned, the army guards who treated them with respect and the women and children left to fend for themselves, many of them on farms, who did it tough in the absence of their men and their workers.

To me, it’s both remiss and insensitive that internees in Australia weren’t given some type of official apology like those in other countries were and, of course, for most it is too late now to hear one. Nonno Anni never bore any bitterness or ill will for his internment, he accepted it with grace as a factor of wartime, but I hope remembering what happened in this way gives back a little of what was lost.

When I look at the faces of these young men in the Western Creek camp in 1942 and think of all those thousands of others who went through similar experiences, it makes the efforts to preserve this small part of history worth it. Hopefully, in some way, Nonno Anni and the other internees would have been pleased!! Zoe xx

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Italian folk magic and amulets…

Raccavallala!’ Granny Maddalena cried out if someone stepped over a child lying on the floor – step back over it! – or you’d stunt the child’s growth. I’m currently researching Italian folklore and came across this very superstition and many others like… never put your wallet on the floor or you’ll have no money. If you accidentally put your clothes on inside out in the morning it’s good luck and you’ll receive good news. Wasting food or throwing it out brings misfortune. Remove cobwebs with your left hand for good luck.

On the cover of Mezza Italiana is Granny Maddalena’s actual corno amulet from Abruzzo that she wore on a delicate gold chain. Made of a gold likely from the 19th century when she was born, its chilli shape goes back to ancient times to ward off misfortune. Being born in Abruzzo in 1893, during her life Granny Maddalena had one foot in age-old, Pagan Italy and the other in the modern world, for she lived until the 1980s. And still in present time many Italians wear amulets and talismans for luck and protection from the malocchio – evil eye.

Beside Maddalena’s amulet are her gold earrings – given to young girls as gold was believed to protect against blindness and misfortune and interestingly because it symbolises the sun’s power and masculine energy. I have no idea how old these earrings are but Estella Canziani did paintings of similar earrings worn by peasants in Italy and France that she saw during her travels in the 1900s, including in the area of Abruzzo where Granny lived.

I hadn’t thought of it much, but since I was a little girl, I’ve had small, gold hoop earrings in my ears every day and sleep in them too, not realising until now, in my late forties, that this is such a tradition in warding off the malocchio and seeking the sun’s energy. This morning, I also accidentally put on a jacket inside out so perhaps today I’ll have good luck (though I’m still to find out if I’ll receive good news!) Hope you’re having a lovely day and remember, it’s bad luck to sweep your house after dark! xx

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Autumn light

Crunchy footsteps, the bright scent of citrus blossoms and red leaves…
such a lovely time of year.

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sunshine and shadow…

About twenty years ago, my mother gave me a little sapling that had sprung up beneath a big, spreading tree in her backyard. She’s been gone for a long while now but that sapling is now a big, spreading tree in my backyard and to sit under it and look up to the sunlight trickling through the leaves is just magic.

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Pikelets and scones…

These lovelies are some baking treats from having more time in the kitchen of late (and there’s been some fiascos as well as triumphs, I admit!) Roger is the scone baker in our house so gets credit for these. He likes following set recipes, while I’m more of a ‘bit of this and that’ cook, assessing as I go. The last time I baked scones was in a school ‘home economics’ class where the teacher said my hands were too warm for the dough (cool hands are better so scones aren’t tough apparently).

Great-grandma Charlotte was the scone baker in my family. She even entered some at the Ipswich show and gained second place for ‘best plate homemade scones’ in 1927 (her breads won several firsts!) Her daughter, Lorna, my grandma, preferred talking politics with a cigarette in hand than cooking, though she did make a mean fried rice. I feel for her as she’d have been great in a professional career but most women in those days didn’t get that chance. I had a thing for pancakes and pikelets from a young age and that page of my first cookbook is splodged with attempts. Just like the kitchen now wears flour over the benchtop and a bit on the floor too.

The thing about home cooking is, it doesn’t matter if it doesn’t turn out quite right. When there’s that comforting, cooking scent in the house (if not too burnt!), a cloth spread over the table and a cup of tea or coffee ready, eating what you’ve cooked while it’s still warm can unexpectedly bring back happy memories and stories of people loved, now long-gone, and just for a little while, all feels well.

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Lorna, Aunty Kate and Maddalena…

I just heard someone in the neighbourhood practising the Last Post to play at dawn for ANZAC Day tomorrow and it gave me goosebumps. As we bring to mind all those affected by war and I think especially of those men in my family who served in both world wars and Vietnam, I thought this year I’d share with you another perspective of how it was for three different women in my family during war…

Lorna, my Australian grandmother, volunteered during WWII for the Women’s National Emergency Legion (WNELs) based in Brisbane. This auxiliary provided first-aid, radio communications, mine-watching and transport driving and mechanics, particularly for the US troops’ Pacific base and among her duties Lorna would drive large transport trucks and buses with her service also taking her to Darwin.

Katherine, her grandmother, who everyone called, Aunty Kate, was born in Australia after her family emigrated from German Württemberg in 1854. Her son, Lemuel was 20 when he signed up to serve in WWI in the 26th Battalion from 1915 until 1919. She received a telegram in 1917 to say he’d been wounded and while he survived some of the worst fighting in Europe against German soldiers he was sent back for more. The family were loyal Australians but how it must have been to have relatives still in Germany on the other side of the war, possibly even fighting against Lemuel.

Maddalena, my great-grandmother, was stranded in Italy with her young son, Elia from 1939 until 1948 throughout WWII and the trying years after. Not able to have contact with her husband and elder son, both interned in Australia, (a particular injustice for Vitale who’d fought with the Allies during WWI), Maddalena persevered through nearby bombings, a visit from German soldiers who took their little food, killed their donkey and chickens and wrecked sown crops, and then, the years of scarcity that came after.

For all those who have been affected by and endured war in all its forms, thinking of you with much respect and compassion.

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From what seems impossible…

“La Spagnola” was what Great-Granny Maddalena called the Spanish influenza pandemic. When it reached Abruzzo, she was twenty-five and yet to marry, with a broken engagement behind her, and working in her parents’ butchery and grain mill in Poggio Picenze. She told my father that after the end of World War I, she remembers seeing young soldiers walking across the valley returning home to their mountain villages after years away fighting. (One of them, my Bisnonno Vitale, an Alpini soldier from Fossa, who hated war, she’d marry just a few years later.) Most of these young men were traumatised, many with missing limbs and no help from authorities for them to recover.

As they returned to their families and small villages, many unknowingly arrived carrying the Spanish flu with them, which tragically caused more loss after their homecomings. It’s no wonder Granny Maddalena didn’t want to talk about this time much. Her father, Emidio, died that same year in 1919 and I’m not certain if it was from la Spagnola, since many doctors put pneumonia or septicaemia on death certificates instead. However, as he was only 61 and his sister and brother aged 60 and 59 both died in 1918, it’s very possible they all succumbed to what was known as the Spanish flu. From 1918 to 1920, 500 million people across the world suffered from the pandemic with the death toll being at least 50 million, though some estimate it closer to 100 million.

There are stories across the world from this time of parents warning children to behave or “the Spanish lady will get you” and children’s rhymes that began, “I had a little bird, its name was Enza, I opened the window, and in-flu-enza…” Fortunately such fearsome ways are mostly relegated to history, however, in our present uncertain period, this Australian, 1919 drawing by May Gibbs to help children understand what was happening at the time shows perhaps a gentler way that is almost as relevant today.

In what is set to continue to be a challenging time in coming months, I wish you forbearance, a little humour when needed, gentleness and care. For me, if there’s perhaps one thing to hold onto, judging by how people have overcome brutal times in the past including some in my own family, it’s that even when confronted by that which may seem almost impossible to face, it is possible to face it and be stronger than you thought you could be.

Much love, Zoë xx

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Carnations, kindness and minestrone…

Thank you to great-granny Maddalena who showed me about forbearance, cheekiness, growing vegetables and cooking minestrone and great-grandma Charlotte for her work ethic, kindness, growing gerberas and carnations and baking scones.

I’m forever grateful to have had two great-grandmothers in my childhood from two of my ancestral cultures and many older women who’ve guided me with their wisdoms and care throughout my life so far.

To all those kind, strong, gentle women out there and the men who support them – happy International Women’s Day. Zoë xx

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Red Hill Skate Arena…

Certain places give a funny feeling when you return to them decades on. Perhaps it’s something that’s more inside yourself than in the building with its recognisable, old glimpses and smells, even if these are veiled in years of change. I found myself back at the Red Hill Skate Arena for the first time since I last roller skated there when I was 13 in the 1980s. (And in another layer of family history, my Mum and Dad had a ‘skate date’ there back in 1967!)

Before it became a skate arena in the 60s, it was ‘Pop’s Picture Theatre’ from the 1920s, so it seems fitting it’s back to being cinemas once again. So pleased the modest, old building survived a fire and dereliction to live another day. As you may recall from, Joe’s Fruit Shop and Milk Bar, when I went to locate the places I was writing about, it was sad to find most had disappeared beneath ash, bulldozers and high-rises – the milk bar, Astoria Café, Regent Theatre and Trocadero to name a few.

Life goes on, change happens, good and bad. And in the same way that the old skate arena has changed, now being middle-aged I’m a long way from that teenage girl in the 80s, but sometimes it’s perhaps good to remember the 13-year-old who loved skating and the history that is within us all and the places we live.

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Reading aloud…

My Dad shared a sweet story with me today… in the Italian class he teaches, a student told him they’ve lent my book to a friend and each night the husband is reading it aloud to his wife. What a lovely thought! I felt really touched to hear this. (And in a curious twist, today happens to be “Read Aloud Day”.) I loved it as a child when one of my parents read aloud to me each night and I always begged for ‘another story’ rather than go to sleep.

The Enchanted Wood was a favourite read to me and then I read over and over myself. I still have this 1956 edition Mum’s father gave to her when she was eight. Mum then gave it to me at about the same age, but when I was older and moved out of home, I left the book with her, knowing how she treasured it. Then, just two months before she died, Mum gave me this book again, wrapped as a present on the night I graduated from my Masters degree, and I can’t tell you how precious it is to me, even if very marked and foxed and falling apart!

(If only my name inside in my grade 3, ‘running writing’ – yet to graduate from pencil to pen – was as elegant as my grandfather’s cursive script. Mine’s really only got worse, not better!)

Happy reading aloud!
Zoë xx

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a basil forest…

Amazing how a much longed-for pour of rain a few days ago has brought about a basil forest in the vegie patch! So, it’s all things basil for a bit with this beautiful harvest… homemade pizza with basil, tomato and mozzarella, basil pesto with orecchiette and crispy prosciutto, as well as bruschetta with basil, tomato and balsamic. (Any other ideas for basil are most welcome. As is a little more rain all round for everyone in Australia!) And I have to say that Costa Georgiadis’ gardening tip of pinching the tops off when harvesting basil is a great one. I reckon it has quadrupled the crop. 🌿  

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Milk Bar… open 7 days

Thinking of all those volunteering and working over this time when many get to take a break. It still amazes me how my grandparents opened their milk bar and fruit shop 7 days a week from early morning ‘til late at night with only two days a year off – for 20 years straight! And then ‘scaled back’ to 5 days a week for the following years.

Nonno Anni worked for 36 years before his first holiday and Nanna Francesca wasn’t far behind. It makes me feel blessed and so grateful to write for a living, something I dreamed of from when I was 7 and found out the stories that I loved writing could actually be a job.

Thank you for your lovely comments and messages throughout the year. It is always wonderful to hear from you. Fingers crossed I have some book news I can share with you in 2020! In the meantime, whether you are working, volunteering or taking time out over this time, please stay safe and all the very best for the coming year. Tante belle cose! Zoë xx

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Water… and figs

Our two birdbaths and various ground dishes about the place are being visited and almost emptied every day by both day and night visitors to the garden. 😊🐦🐝🐞🐾

And the fig update is… the tree net has certainly worked with several of these beauties about ready for picking. We have tank water and are using it sparingly so it’s incredible how generous nature can still be despite the heat, the dry, the smoke and hot winds. Please send us all a decent drop of rain soon… but not floods!! 🌿

(Previous fig tree post.)

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Tanti auguri a zio Vincenzo… ottant’anni

Happy 80th Birthday to my great uncle, Vince. Lovely to celebrate this milestone with him on the weekend. To me, he’s always been a gentle soul and am so glad we’ve stayed close.

A wonderful ballroom dancer, loves local history and photography, was born and grew up on the family’s Applethorpe farm and I also have great memories of him working hard on tomato day bottling the passata, making Italian biscuits with Nanna Francesca and looking like an Italian Elvis with that wonderful hair slicked back.

Older members of a family are so important and I never tire of sitting listening to the old stories and memories. Buon Compleanno Vincenzo! Tante belle cose. xx

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When the past catches you…

Doing things like an Italian you’d never have thought you would when growing up…

“Putting on the tree net to protect the figs.”

Yes, I did this last weekend and those familiar with Mezza Italiana will know there was a time I would never have imagined myself doing so. (Not sure my modest tree and net is any match for Nonno Anni’s past efforts! Although I think Roger’s makeshift stake of a star picket and old piece of hose is in keeping with honouring making do and not letting anything go to waste – no matter how it looks!) 😁😊💛

 

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Saluti a Nonno Anni…

It’s Nonno Anni’s birthday in a few days so there was once a time when all the family would be getting together this weekend at my grandparents’ house. Several tables would be pushed together, Nanna Francesca would cook huge bowls of pasta and either polpette or cotolette, and of course there’d be cake, champagne and maybe Franjelico, or Sambuca with a coffee bean lit on top.

Although Nonno Anni has been gone some while now, I still miss him terribly but I’m so grateful for the times we had and so on October 21st will raise a glass, or a polpette, to Annibale (Joe) who continues to inspire me. xxx

(For the record, that air-conditioner behind Nonno Anni in this photo is the one I wrote about that Nanna Francesca refused to let me turn on even on the hottest days because it created a ‘cold draught’!!) 😊

Buon compleanno, Nonno, con amore sempre. Tante cose belle. Zoë xx

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The mysterious… spigarello

The mysterious… spigarello, this ancient, Italian, wild green that seems also called cima di rapa, cavolo broccolo, getti di Napoli, spigariello and mistero nero. Some say it’s part of the broccoli family, others dispute it. I found this bunch at a roadside stall in southeast Queensland hinterland, a long way from southern Italy where for centuries women have picked and gathered into their upturned aprons this bitter green from the mountainsides.

And I can say when tasted fresh, it is quite bitter! But when cooked this mellows to an intense, unique, grassy flavour, much more complex than kale and tastes so healthy it must be doing you good. Many traditional recipes suggest frying it in olive oil with garlic and salt, others add lemon zest, pine nuts and raisins or put it in what is called ‘black soup’.

When trying to find out more about spigarello, I often came across words like – ancient, mystifying, heirloom, unexplained, unusual. Not sure why that makes me like it more but there’s something about finding and cooking with ‘mysterious’ Italian greens that have such ancient history behind them.

 

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Bushfires at Applethorpe and Stanthorpe…

It’s been a tough past few days for those facing bushfires and an incredible effort by people banding together to fight fires and help people and animals. The resolve and grace of those who have lost so much is extraordinary.

Among the fires still burning are those at Stanthorpe and Applethorpe where, as many of you will know from my books, my Dad was born and three generations of my family previously lived at their Applethorpe farm.

According to QFES, firefighting is currently focused around the very roads bordering the farm. I can’t help but feel the area has had enough to deal in recent times with their water supply almost gone due to drought and now must face unprecedented fires. Really hoping for a reprieve all round very soon.

(Nanna Francesca beside the packing shed her father built and Nonno Anni pointing to the farmhouse – so him to get up on the fence!)

Update: While nearby paddocks got burnt out, relieved to say the house and sheds have survived thanks to the fantastic firefighting crews. That said, when an event like this occurs , it’s often a long time for things to return to ‘normal’, particularly for those who’ve lost much and especially an area already doing it tough and almost out of water. Really hoping for some decent rain soon.

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Don’t know what it is, but just like seeing the sign, “spectacle maker” so much more than “optometrist”.

{And the café next door run by Abruzzese Italians has brilliant coffee.}

Castlemaine, Victoria.

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Family history by chance…

Looking closer at this old photo from the Brisbane Ekka (exhibition/show) that recently appeared on several local history sites, I couldn’t believe it when I happened to see my Dad in it. In 1971 he worked at the chairlift after he and Mum returned from travels and working overseas for a couple of years and he did other work until he resumed his teaching job. (Dad is one of the blokes in red and white and is under the OR of the Escort sign above).

It’s the first photo I’ve seen of him working at the chairlift (unfortunately, I don’t know who took this photo to credit them) but incredibly there’s more to this photo than first realised. In the foreground, a short, brown-haired woman in pale blue looking toward my Dad appears to be Nanna Francesca. What is especially poignant is that they’d been estranged for a few years after my parents’ cross-cultural wedding (not so accepted back in the 1960s) and it was when they accidentally first saw each other at the Ekka chairlift that my Dad and his parents reunited and became close again.

Little did the person who took this photo know they’d captured such a time in my family that we’d only happen to see almost 50 years later.

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Four ingredients, four steps, three photographs…

Crispy Carciofi alla Giudia are said to be one of the most popular local dishes ordered at restaurants in Rome. So, artichokes cooked this way might be perhaps best kept for only now and then considering the oil needed for frying, however the way the artichokes open into crisp, crunchy flowers makes this centuries-old, Jewish-Roman dish well worth making on occasion. Great as an antipasto and usually a springtime dish but these artichokes were selling cheap at my local market and winter here hasn’t been too cold.

Four ingredients:
1. artichokes, 2. lemon, 3. olive oil, 4. salt.
Four steps:
1. trim artichokes, 2. soak in water mixed with lemon juice, 3. fry in hot olive oil, 4. sprinkle with salt.

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Margaret Fulton’s cookbooks

Vale Margaret Fulton (1924-2019).
Her person, her cooking, her books…  

My Italian grandmother gave me a lot of cookbooks over the years but these two Margaret Fulton ones were given the special place of being my 18th and 21st presents. I know I didn’t appreciate them enough when I was young but over time they’ve been used often with many pages tagged and splotched and I love that Nanna Francesca wrote in both of them.

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Cooking caponata…

There are as many versions of caponata as there are cooks… so it’s said. The first written recipes date to the early 18th century but of course it’s one of those dishes handed down over many centuries from mother to daughter (and hopefully a few fathers and sons too). While it’s famously Sicilian, other regions like Calabria also have versions and most likely my (very rustic!) caponata will be completely different when I next cook it. This time I went with pretty much what I had on hand that would suit and baked it instead of frying (although frying creates more caramelisation and is very tasty). I’m guessing many of you will have your own delicious recipes perhaps handed down through generations, such a lovely tradition of cooking and passing on family history. xx

Ingredients (on hand!) for this version of caponata.

Chopped and tossed (in olive oil, balsamic vinegar, brown sugar, salt and lemon juice).

Baked and ready to serve (warm or cold).

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old photograph, blurry, creased, precious…

My grandparents, circa 1950.

                                                                 …small moments of beauty.

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un viaggio in Italia…

So lovely that Mezza Italiana has been picked in conjunction with Amazon US as one the best books to inspire a trip to Italy. Especially to be in the company of some great authors. Many thanks to Red Around the World. xx

 

31 Of The Best Books Set In Italy To Inspire Your Next Trip

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Restoration e la storia…

Around 800 years ago, Benedictine workers built this structure in Fossa on top of a 9th century AD Roman-Byzantine temple. And that was already on top of a crypt where for centuries BC and up until 391 AD, the Vestini tribe honoured Vesta (pagan goddess of hearth, home and family).

It’s survived more than 17 earthquakes over many centuries as well as WW2 bombings close by.

While humble outside, painted inside its walls is some of the oldest, most precious art in Abruzzo. Gothic-Byzantine frescoes that depict scenes like the last judgment (said to have inspired Dante to later write the Divine Comedy after he visited Fossa in 1294) and the pagan agrarian calendar so central to a rural community and to show stories for those not fortunate to learn to read.

Recently it reopened, a decade on from its damage after the 2009 earthquake. Beliefs aside, it’s significant to see its art restored, not just for those at present but for generations to come, for it’s a story of the area’s people and even the tiniest villages high in the mountains have their own potent stories.

(Santa Maria di Cryptas, Fossa, Abruzzo.)

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Keeping the past…

Came across this in an old, cardboard box of photographs of my grandmother’s:

Fossa, 1975 – Nonno Anni looking melancholy (his first time there again since 1939), and Nanna Francesca, sleeves rolled, her usual harried look when about to get back to a pot on the stove or the washing or something. So very them.

Have kept it in a frame on my wall and whenever I wish I could seek their advice or miss just having a chat, it’s a comfort to remember how they were at times. (I think Nanna Francesca had almost this same look peering from the doorway when I arrived in Fossa for the first time 20 years later!!) xx

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10 anno anniversario…

Thinking of all those who lost, and all still waiting, and hoping, to return.

Abruzzo, 6 Aprile 2009 – 6 Aprile 2019.

      

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Italian days

Looking out my bedroom window…
Trastevere, Rome, 1996.

 

 

 

 

 

#roomwithaview
#italia🇮🇹
#sheets

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Beautiful curling branches…

Came across this lovely tree when I was walking from the house in Fossa along the road to the village cemetery. It stands looking to the Aterno Valley and the Apennines in Abruzzo with Gran Sasso in the distance.

* Interestingly, the oldest (scientifically dated) tree in Europe is in southern Italy. A craggy pine (Pinus heldreichii) that is 1230 years old and called, Italus (and is still growing).

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Mar 6, 2019 · 1:09 pm

Abruzzo Economia interview…

Italian magazine, Abruzzo Economia, recently interviewed me for their Lifestyle section and it was lovely to speak to Raffaella Quieti Cartledge about Abruzzo and writing Mezza Italiana, including some questions I’ve never been asked before about the area. The article in Italian may be read here…

Abruzzo Economia – Una scrittrice australiana Mezza Abruzzese

or you may read an English version below…

An Australian writer who is half-Abruzzese…

by Raffaella Quieti Cartledge

Australian and author of the autobiographical book, Mezza Italiana, Zoë Boccabella describes her discovery of Abruzzo, her familial origins in Fossa (AQ), and her subsequent trips to the region and the rest of Italy. The memories of her grandfather’s stories come to life in the family home while Abruzzo reveals a part of itself that will transform her forever.

What inspired you to write the book?

The first time I arrived in Abruzzo where my family came from, I had a feeling of coming home, even though I had never been there before. I stayed in the house in Fossa that had belonged to my ancestors for centuries and my grandfather, Annibale, who was born in Abruzzo, told me stories of when he grew up there, the history of the area where he lived and how he left part of his heart behind when his father sent for him to join him in Australia in 1939. The experience had such a profound effect on me. Walking around the villages, hillsides, forests and deserted castles, I felt at once that Abruzzo was a very special place. Each time I returned and explored the area more, I wrote down family folklore, village stories and began to think more about my experiences growing up as an Italian-Australian, how I felt ‘half and half’, not like I fully belonged to either culture.

Who is your main audience and please tell us about them.

I began writing what was to become Mezza Italiana at the kitchen table in the house in Fossa, not thinking it might become a published book one day. Over time, I added more research and stories as I discovered them. Then the 2009 earthquake occurred in Abruzzo where my family’s village was and it was important to include this too. Especially when I saw how the Abruzzese handled the tragedy with such grace, strength and forbearance.

I wrote what I saw and felt, rather than thinking about who might read it one day. And because I grew up as a descendant of Italian migrants in 1970s and early 80s Australia when it wasn’t as accepted to have a Mediterranean background like it is now and migrants weren’t always treated well by everyone, I did come to hope that by sharing my story perhaps just one person who read it, who was a migrant descendant and feeling confused or ‘half and half’, might not spend decades surrendering part of themselves as I did.

Are you going to have the book translated in Italian and how many copies have you sold so far?

It has been such an unexpected and lovely surprise that Mezza Italiana has become a bestselling book in Australia and the best part of that has been hearing from so many different readers who shared similar experiences to mine. It has recently also become available in Italy, the rest of Europe, the UK and US as well.

What is it of Abruzzo that strikes you as different from other regional characters?

Secluded by the magnificent Apennines, in many ways Abruzzo remains untamed, natural, beautiful, but still accessible, with wonderful, down-to-earth people, talented artisans in centuries-old crafts and culinary traditions, and medieval architecture unchanged. When writing both my books, I travelled throughout Italy from the north to the south and in between and whenever Italians in other regions asked where my family came from and I mentioned Abruzzo, their responses were very positive with much respect for Abruzzese, who are well known to be forte e gentile – strong and kind.

What do you think is Abruzzo’s main resource (in every way, geography, people) and what do you think Abruzzese should do to stimulate its economy – attract niche tourism?

Because I live in Australia I can only answer from the perspective of a visitor to Abruzzo, even if that includes staying with family there. For me, the charm of Abruzzo is its many untouched landscapes and traditional ways. I understand it is important to be economically strong in the best interest of the Abruzzese people while protecting its valuable assets of the natural beauty and historical art and architecture of the region, so there is a fine line. To me, Abruzzo’s great strength is having more green space than almost any other region of Italy, as well as its fauna. This is a great tourist enticement.

A popular, growing part of tourism is photography tours where serious photographers are led by tour guides to photograph wildlife, flora and scenery. I believe Abruzzo’s renowned national parks, lakes, mountains and forests, brown bears, chamois, eagles and wolves among other wildlife are a superb attraction.

Abruzzo has a very rich art history and again this would suit tailored tours as well as culinary tours that could include local feste, not so well-known and waiting to be discovered.

In the past, due to its untouched areas and medieval buildings, areas of Abruzzo have also been used as locations for films, including Hollywood’s ‘spaghetti westerns’ and films such as, In the Name of the Rose, Ladyhawke, The American and The Fox and the Child and the region could continue to be a place that hosts international and local film locations.

Should the region establish better contacts with the descendants of Abruzzese ’emigrati’ abroad through their associations and bring them over to visit the land their grandparents came from?

This is an interesting question. Visiting the region did strengthen my ties to the area and prompted me to encourage more people to discover it too. For descendants of migrants, it can be such an enriching, valuable experience to see where their parents or grandparents came from. Some in Abruzzo may not be aware that many migrants in Australia continue to carry on traditional Abruzzese and Italian ways to this day – bottling their own passata, making pasta alla chitarra, sausage making, and celebrating traditional festive days – all to respect and keep alive their heritage.

How did the discovery of your grandfather’s region change you?

The first time I went to Italy I was unaware Abruzzo was about to have its way with me. As I journeyed up into the Apennine Mountains to L’Aquila and then Fossa, it was as though the Italian blood in me suddenly surged with recognition and I couldn’t resist the magnetic pull the place had on me. Abruzzo completely exceeded my expectations in its special beauty and gave me a sense of ‘coming home’ and belonging. Family history and ancestral links have an instinctive pull and over the next two decades I felt compelled to return to the house that had belonged to my family for centuries and for longer periods of time.

Curiously, as much as Australia is my home, going to Italy felt like going home too and each time I returned with my heart more open. It made me feel proud of my Italian heritage when I was back in Australia and of course to write about that and to share it with others. When I first stepped onto Italian soil, I was hopping off a train and a bird dropping landed on my shoulder. This is meant to be ‘a positive sign’ according to Italian folklore and I guess for me it truly was!

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Sightseeing in Assisi…

Always seems to be a little story happening in scenes from Italian towns.

 

 

 

 

 

 

 

(Sculpture by Norberto Proietti (1927-2009), Pellegrino di Pace – Pilgram of Peace, 2005.)

 

 

 

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In the valley below Mount Warning…

…no phone reception, no traffic, and then, among the serenity, come three lovely chooks to drink at the creek.

 

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1970s Christmas from afar…

Christmas Eve, 1970s, Nonno Anni shouting, ‘Everyone get ready!’, Nanna Francesca already with tears in her eyes, family crowding onto the plastic runner over the carpet in my grandparents’ narrow hallway, the clunky, black, Bakelite corded phone ringing with that booked international call to relatives faraway in Italy. A few precious, expensive minutes to talk at a time when overseas holidays weren’t so common or affordable and relatives far away were sometimes never able to be seen again.

Wishing you much happiness at this time whether near or far, however large or small your day may be, hope the coming year is wonderful! Thank you for all your messages and support over this past year, it really means a lot to hear from you. Zoë xx

(Top left, lane outside Fossa house 1970s, and below, town hall Xmas tree Brisbane same time.)

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Mixed grill and pineapple phosphate soda

An Astoria Café 1940s menu from when my Italian grandparents, Annibale (Joe) and Francesca waited tables there during World War 2.

With many American GIs in Brisbane at the time items like ‘Yankee Lemonade’ and ‘American Beauty sundae’ made it to the menu along with the expected ‘Mixed Grill’ type of fare and perhaps surprisingly – ‘Double Decker Spaghetti Sandwiches’!

The Astoria Café was at the busy corner of Edward and Adelaide streets and an office building now sits at the spot – 243 Edward – though I dearly wish the Astoria was still there.

 

Joe’s Fruit Shop and Milk Bar…

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Small moments of beauty

Granny Maddalena harvesting from her vegie garden before going inside to cook for all the family. Sometimes it’s the simplest things…

#worldkindessday

 

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Australian spring…

Some lovely, spring, vegie patch colours…

and a fellow pretty happy catching insects.

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