Tag Archives: black and white photographs

…sulla spiaggia di Palmi, 1950

“Ricordo del 26 July 1950 sulla spiaggia di Palmi – Memory of 26 July 1950 on the beach of Palmi…”

Sent to my grandparents from relatives in Italy during the 1950s, these beautiful photographs with their fleeting, heartfelt messages written on the back say a lot about the sacrifice of migration. Yes, that courage to go to the other side of the world brought much-needed opportunity and prosperity, as well as new friends and family. And yet, there was so much that had to be left behind too, loved ones, ancestral homes no matter how modest, centuries and generations of history and belonging.

To think of the fragility of such photographs criss-crossing the world sent with love and a need to keep family ties strong, well, it both warms my heart and makes it break a little, if I’m honest. These photographs were taken in Palmi, Calabria and Fossa, Abruzzo, Nanna Francesca and Nonno Anni’s birth towns and I wonder how they must have felt when they received them from their loved ones, Vincenzo, Pierina and Luigi.

I know this tradition kept on at least until the 1970s since Nanna would get me, as a child, to pose for photos to send to Italy. Back then, I couldn’t understand why she’d be sending a photo of me to some far-off relatives I’d never met. Now, it is quite amazing and beautiful to think how, for many decades, families between two countries on far sides of the world kept close in this way. 🖤📸

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Backyard group photo, 1960s style…

There’s so much I love about this photograph taken in the Brisbane backyard of Granny Maddalena and Nonno Vitale’s house… everyone under the Hills hoist, Granny bending over giggling, the woman’s arm around her. Nonno Anni looking over to see what they’re laughing at, Nanna Francesca always ready for the camera, holding the young boy who doesn’t look so keen to be in the photo.

I love too the pawpaw tree and monstera plant behind them, the Queenslander on stumps and corrugated-iron stove area jutting from the kitchen above, where I can picture Granny standing stirring her minestrone. Even that the photo is a bit blurry with too much foreground is endearing, as is Nonno Vitale bending a little to make sure he’s in the picture (though he did have a bad back after years of cane-cutting and labouring jobs!)

Most of all, I love how when friends or family came to visit, (on those rare occasions that everyone wasn’t working!) they’d all put on their good clothes, get out the good coffee cups and make sure a photo was taken to mark the occasion. As many of you will know, for migrant families who had to say goodbye – sometimes forever – to family and friends on the other side of the world, creating extended family among those around you was especially important, whether you were related or not, and there’s something so lovely in that. Zoë x

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Some of Fossa’s laneways…

 … at around dawn while most of the village still slept.

These are just a few of the lanes that wind under, over and around the village and to me they are magical. Some tunnels have small frescoes and lanterns in them.

Most are just wide enough for a tiny car, others only able to be walked. The dog on the steps is Musso Nero, the village dog who was looked after by everybody {page 328, Mezza Italiana}.

I took these photographs with black and white film and an old Pentax camera more than a decade ago while staying in the village writing Mezza Italiana.

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Filed under art + photographs, italy