
….Wombat Hill Botanic Gardens,
Daylesford, Victoria.
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For the first time, we recently saw a piano accordion orchestra concert. It was great, some of the music taking me back to attending those big Italian weddings when I was a child and also our family gatherings when my uncle sometimes played the piano accordion. Of course, there were a couple of classics played, including Volare and Funiculi Funicula.
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On a bleak, wintry day, the caretakers gave us the opportunity to explore this abandoned, sandstone house in south west Queensland. As we walked through the high ceilinged rooms, the wind whistled through cracks in the walls and I longed to find out all the stories it held. After many decades of dereliction it is now being restored. http://www.glengallan.org.au/
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I can’t take credit for the cockatoo in flight, it just happened to appear as I clicked the camera.
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Anyone with Sicilian connections or who have been to Sicily may recognise this doll in folk costume (right) and the decorated cart, carrello or carrozza…
Came across the display as part of an Italian migrant exhibition at the Commissariat Store Museum in Brisbane.
Along with some bomboniere… (below) familiar to Italian weddings, christenings and communions.

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The Lucini macaroni factory (circa 1859) is said to be the oldest building in Australia built by Italian-Australians. There are 150-year-old frescoes inside that unfortunately remained hidden as it was closed the day we came by. Sitting in the main street of Hepburn Springs in Victoria, the building was also the location for Jan Sardi’s film, Love’s Brother, about two Italian brothers in Australia and a proxy marriage to a girl in Italy.

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View from the Tweed Regional Gallery in Murwillumbah, New South Wales, Australia where we recently went to see the new Margaret Olley Art Centre housing rooms from her Sydney terrace house, her artworks, and exhibitions by other artists. This view from the café was like an artwork in itself.
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Came across this bio for Italian author, Giovannino Guareschi in one of my father’s original copies of the Don Camillo books published in the 1950s, and loved it.
After my grandfather and my father, I’m now the third generation to be reading these sixty-year-old copies and treasure every yellowed page.
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…this 13-metre high sculpture of the ancient amulet,
il Corno (to protect against the evil eye)
appeared in the middle of one night to gain attention regarding
the deterioration of the world heritage listed Palazzo Reale in Caserta,
and has since been creating some heated debate.
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I couldn’t resist this Italian paper doll book with regional costumes from all over Italy. Sofia and Ernesto are the names of the two paper dolls that come with it. I admit I haven’t come across paper dolls since playing with a 1960s set owned by one of my relatives a very long time ago in childhood. I think it was American and being from the sixties, the paper clothes it in were very groovy.

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…this family from le Marche were photographed by Mario Giacomelli during time he spent with them between 1964 and 1966 for his series, la buona terra – the good earth, in which his aim was to capture the story of work, of life, throughout the revolving seasons, and endlessly repeated throughout a lifetime.

Related article: Priests dancing in the snow
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{vintage paper cut – ‘if these walls could talk’}
Filed under italy, old photographs + art
The woman in the foreground carries two conche, the copper vessels traditionally used in Abruzzo to collect water from the village fountain for the household. Perhaps she was teaching the young girl to carry it back on her head (depicted by the women in the background). The village women used to do so to transport all manner of heavy things with evidence of this including iron bedheads and, on occasion in very steep areas, even coffins.
The artwork pictured here was painted in Civita d’Antino in Abruzzo by Danish painter, Kristian Zahrtmann (1843-1917) who first travelled to the mountain town of Civita d’Antino in June 1883. Zahrtmann came to consider it his second home as he was fascinated by “the life there, the strong Italian sun, the brightness of colours, and the exoticness of Catholic Church rites”.
He spent every summer from 1890 to 1911 in Civita d’Antino where he stayed with the Cerroni family, and was named an honorary citizen of the town in 1902. In Civita d’Antino, a memorial plaque to Zahrtmann is set into the wall of the Cerroni house near the town gate.
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Il Volo dell’Angelo… {the flight of the angel} – something a little different to do in Italy – ‘flying’ between the villages of Pietrapertosa and Castelmezzano in the Dolomites of Lucania, Basilicata.
Apparently, you start 1020m above the ground with the flight covering 1415m and reaching speeds of up to 120 km/h. Not sure if I’m game!
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“Birds don’t only use their beaks to build: they press their breasts against the inner wall to make it round, imprinting their shape on their home, an interior formed by the steady rhythm of their beating hearts.”
Janine Burke
from Nest: The Art of Birds

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I first learnt of this town when reading Old Calabria by Norman Douglas (published 1915), and on the map it looked a good halfway point to stay between Palmi and Pompeii. This part of the old town reminded me of some of the lanes in Fossa, (not so the 40 degree heat at the time) and even though it appears not to have changed much over the years, the town was quite different to the one Douglas had encountered about a century before when brigands were still imprisoned in the castle.
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a beautiful end to a Sunday, walking along Obi Obi Creek, Maleny…

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Castel del Monte, Abruzzo

Castel del Monte by Estella Canziani, 1913
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Jeffrey Smart, 1921 – 2013.
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It’s ‘Giro time’ again in Italy at the moment. {4-26 May, 2013}
Took this photo near the finish line of the leg of the bike race that ended in L’Aquila in 2005. Hours of waiting… seconds of cyclists rushing past…
The winner of this leg was Italian rider, Danilo di Luca {from the Abruzzo}. He rode the 229 km stage from Frosinone to L’Aquila in 6 hrs, 1 min. Waiting in the crowd was quite an experience! {p.197 Mezza Italiana}
… and also ladybirds, lacewings and other garden friends.
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Goriano Sicoli, Abruzzi, 1929, by M.C. Escher (1898-1972), a Dutch graphic artist known for his woodcuts, lithographs, and mezzotints.
After finishing school, he traveled extensively in Italy, where he met his wife Jetta Umiker. They lived in Rome from 1924 until 1935, during which time Escher travelled throughout Italy, drawing and sketching for the various prints he would make when he returned home.
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Painted by Estella Canziani (1887-1964) who wrote {as well as drew and painted the illustrations for} one of my favourite books on the Abruzzo about her 1913 travels – Through the Apennines & Lands of Abruzzi.
She painted this picture {oil on paper} from inside her house in London at 3 Palace Green in 1922. The white bird in the painting one of the many birds she rescued and cared for.
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The Maremma Sheepdog is indigenous to central Italy, particularly Abruzzo and the Maremma area in Tuscany and Lazio, and has been used for centuries by Italian shepherds to guard sheep from wolves.
Recently I discovered a project in Australia where Maremma Sheepdogs are protecting a penguin colony almost decimated by foxes, and under their protection the penguins are increasing in numbers. {The dogs also guard free-range chickens.} A little mezza italiana/ australiana perhaps.
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Love this concept of the ‘Little Free Library’ – “take a book, leave a book” structures built with recycled materials and popping up beside footpaths, coffee shops, houses and parks around the world….
http://www.littlefreelibrary.org/

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{Il Portale. Watercolour by Juan Alfredo Parisse.}
It was unexpected to hear of Pope Celestino V {1294} being spoken of in the media until I heard it was in relation to the decision by Pope Benedict XVI to resign. Celestino aka Pietro del Morrone, a hermit monk who lived in caves in the Abruzzo’s mountains, instigated the building of the Santa Maria di Collemaggio cathedral in L’Aquila (pictured), where he was crowned Pope in front of a crowd of 100,000, including Dante who referred to him in his epic poem, Inferno.
It’s thought the naive Celestine was chosen as a stooge for those in Vatican politics, and when he abdicated in 1294 after just five months, the next Pope, Boniface, took umbrage, and imprisoned him. Celestino was found dead in his cell with a nail-sized hole in his skull, alleged to have been murdered by Pope Boniface.
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Life Behind by Maki Horanai
“It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. I was so preposterously serious in those days…Lightly, lightly—it’s the best advice ever given me. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly, my darling.”
Aldous Huxley
From ‘Island’, 1962
Related articles: Watching Over
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I grew up with stories of villages in the Abruzzo being snowed in, sometimes the snow so high people couldn’t open the doors and had to climb out their windows. Hearing this in the heat of a subtropical summer in Australia, I could only try to imagine….

{Neve in Roccacaramanico. Photographer: Andrea Basciano.}
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….taken from the International Space Station above the Mediterranean Sea on 18 August 2012.
{The lights of Rome and Naples are clearly visible on the coast near the centre.}
{Courtesy Sir Thomas Brisbane Planetarium, Australia.}
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Gargoyles, in their myriad forms include being carved to represent local heretics, controversialists, rogues, or personal enemies of the architect or building owner, particularly for ecclesiastical structures during the Middle Ages.
Photographer, Giuseppe Leone ~ known for his photography that ‘narrates’ life in Sicily, its traditions, monuments, landscapes and in particular, its people ~ has created a series that strives to match the faces of locals with gargoyles on nearby buildings.
Related article: the Italian wedding…
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Perhaps because my great-grandmother Maddalena was known as the village witch, there is something that appeals immensely about Italy’s most prestigious national literary prize, the Premio Strega being named ‘the witch prize’. In 1944 , Maria and Goffredo Bellonci began hosting at their house in Rome, Sunday gatherings of writers and artists that became known as the Amici della Domenica, or Sunday Friends. This resulted in 1947 the Belloncis, together with Guido Alberti, owner of the Strega liqueur business, inaugurating a prize for fiction, the winner being chosen by the Sunday friends.
Winners include Italian writers such as Umberto Eco in 1981 for Il nome della rosa – In the Name of the Rose and Giuseppe di Lampedusa posthumously in 1959 for Il gattopardo – The Leopard.
Liquore Strega has been distilled since 1860 in the town of Benevento, located roughly between Rome and Naples, the place where witches from all over the world gathered (and still do at a certain time of year). There is an old legend, still very much alive, this drink was a love potion witches created to forever unite couples who drank it. Strega liqueur continues to be tied to the sorcery of its origins. Some modern covens use the liqueur in their rites, burning it in bowls for various purposes.
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This painting of Fossa in the Abruzzo is by artist Juan Alfredo Parisse, born in Buenos Aires, Argentina, and whose parents are from L’Aquila, Italy.
Parisse paints watercolours en plein air to capture the people, the towns and rural villages of the Abruzzo.
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This picture of young priests
dancing in the snow
was taken at a seminary in le Marche
in the early 1960s by Italian photographer,
Mario Giacomelli (1925-2000).
Initially they reminded me a little
of whirling dervishes but it is not any
type of ritual, merely an innocent time of
relaxation. The seminarians were
playing ‘ring a ring o’ roses’,
unaware of being captured by
Giacomelli’s lens as he hid up in a roof.
Later, he gave them cigars,
which the young priests enjoyed
but the rector wasn’t too pleased.
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Born in 1851 in Tocco da Casauria of Pescara province, Francesco Paolo Michetti was an Abruzzese artist who aspired to paint ‘real life’ capturing people, animals, and local events. The Abruzzo was his inspiration and in 1883 he purchased a convent there as his home and studio. For the next 20 years, the convent was a meeting place for Abruzzo’s artists including writer Gabriele D’Annunzio. Time moves slowly in the Abruzzo and fortunately some landscapes such as in this painting remain.
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Piedmontese peasant wood-pipe carved from cherry wood that writer, artist and folklorist, Estella Canziani presented to The Folklore Society of London in 1911. She donated it along with other items from her travels in northern Italy when she wrote and illustrated her first book, Costumes, Traditions and Songs of Savoy (before she ventured to the Abruzzo in 1913 to pen Through the Apennines and Lands of Abruzzi).
I saw a similar pipe sitting on a stall table at the antique market in Arezzo and am still regetting not having bought it…
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